Readers of Women of the Silk never forgot the moving, powerful story of Pei, brought to work in the silk house as a girl, grown into a quiet but determined young woman whose life is subject to cruel twists of fate, including the loss of her closest friend, Lin. Now, in bestselling novelist Gail Tsukiyama's The Language of Threads, we finally learn what happened to Pei, as she leaves the silk house for Hong Kong in the 1930s, arriving with a young orphan, Ji Shen, in her care. Her first job, in the home of a wealthy family, ends in disgrace, but soon Pei and Ji Shen find a new life in the home of Mrs. Finch, a British ex-patriate who welcomes them as the daughters she never had. Their idyllic life is interrupted, however, by war, and the Japanese occupation. Pei is once again forced to make her own way, struggling to survive and to keep her extended family alive as well. In this story of hardship and survival, Tsukiyama paints a portrait of women fighting the forces of war and time to make a life for themselves.

In Women of the Silk Gail Tsukiyama takes her readers back to rural China in 1926, where a group of women forge a sisterhood amidst the reeling machines that reverberate and clamor in a vast silk factory from dawn to dusk. Leading the first strike the village has ever seen, the young women use the strength of their ambition, dreams, and friendship to achieve the freedom they could never have hoped for on their own. Tsukiyama's graceful prose weaves the details of "the silk work" and Chinese village life into a story of courage and strength.

An intricate and exquisite tale of how bedtime fears can be transformed into wondrous dreams and magical adventures, by Hans Christian Andersen award–winning Roger Mello As João tucks under a lovingly woven quilt, he asks himself: So it’s just me now? He curls up, getting cozy in bed, and soon the world of his dreams unspools on the page. The blanket in his bed unravels into deep rivers, lakes, valleys, reservoirs, mountain ranges, fishing nets full of tadpoles and gaping holes, until what’s left is just one long thread. When he feels alone and scared in the dark, João “sews words like patchwork” into a new blanket to cover himself up. He weaves the threads of his quilt until they form one long sentence, and soon, the nighttime is peppered with his own silvery, slippery words. Roger Mello draws like a shapeshifter – to look at his illustrations is always to see something you missed before (a stingray, a crescent moon nestled into the palm of João’s hand). His breathtaking line drawings, beaming in white thread against deep red, combined with poetic and bewildered language, make João by a Thread a book to take into bed at the edge of sleep, just before you start to dream.

Don’t miss Ami Polonsky’s stunning new novel, World Made of Glass To Whom It May Concern: Please, we need help! The day twelve-year-old Clara finds a desperate note in a purse in Bellman's department store, she is still reeling from the death of her adopted sister, Lola. By that day, thirteen-year-old Yuming has lost hope that the note she stashed in the purse will ever be found. She may be stuck sewing in the pale pink factory outside of Beijing forever. Clara grows more and more convinced that she was meant to find Yuming's note. Lola would have wanted her to do something about it. But how can Clara talk her parents, who are also in mourning, into going on a trip to China? Finally the time comes when Yuming weighs the options, measures the risk, and attempts a daring escape. The lives of two girls -- one American, and one Chinese -- intersect like two soaring kites in this story about loss, hope, and recovery.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

It's 1910, and thirteen-year-old Raisa has just traveled alone from a small Polish shtetl all the way to New York City. It's overwhelming, awe-inspiring, and even dangerous, especially when she discovers that her sister has disappeared and she must now fend for herself. She finds work in the Triangle Shirtwaist Factory sewing bodices on the popular shirtwaists. Raisa makes friends and even-dare she admit it?- falls in love. But then 1911 dawns, and one March day a spark ignites in the factory. One of the city's most harrowing tragedies unfolds, and Raisa's life is forever changed. . . . One hundred years after the Triangle Shirtwaist Factory Fire, this moving young adult novel gives life to the tragedy and hope of this transformative event in American history.

A nineteenth century Spanish seamstress flees her village for Morocco in a novel with “a magical realist aspect . . . An epic sweep and a richness of characterization” (The Independent). They say Frasquita is a healer with occult powers; that perhaps she is even a sorceress. Indeed, she has a remarkable gift, one that has been passed down to the women in her family for generations. From mere rags, she can create gowns and other garments so magnificent, so alive, that they mask any defect or deformity. They bestow a blinding beauty on whoever wears them. But Frasquita’s gift makes others in her small Andalusian village jealous. And when her gambling husband brings misfortune on their family, Frasquita travels across southern Spain and into Africa with her five children in tow. Her exile becomes a quest for a better life, and a way to free her daughters from the fate of her family of sorcerers. “Like the beautiful frescoes of García Márquez, this novel is a marvelous and lyrical fairytale bursting with colorful characters” —La Revue Littéraire Des Copines