The Language of Spring collects some thirty of the most evocative English-language poems on the experience of spring. The poems range from the traditional and formal (Gerard Manley Hopkins"s "Spring" and Edna St. Vincent Millay"s "English Sparrows") to the contemporary, experimental, and diverse (Henry Reed"s "Naming of Parts," Marie Ponsot"s "Mauve," and William Carlos Williams"s "The Widow"s Lament in Springtime"). Each poem beautifully illuminates another small spot of time in the enthralling season of renewal. Other contributors include: Maxine Kumin (the volume"s title is adapted from her poem), Robert Frost, Emily Dickinson, Mary Oliver, Richard Wright, John Updike, Walt Whitman, Yusef Komunyakaa, e. e. cummings, D. H. Lawrence, Claude McKay, Jane Kenyon, Sara Teasdale, Philip Larkin, Anne Sexton, James Tate, and A. R. Ammons.

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers.

"Spring Start Here teaches Java developers how to build applications using Spring framework. Informative graphics, relevant examples, and author Laurenţiu Spilcă's clear and lively writing make it easy to pick up the skills you need. You'll discover how to plan, write, and test applications. And by concentrating on the most important features, this no-nonsense book gives you a firm foundation for exploring Spring's rich ecosystem"--Back cover.

One cold day Mouse and Poppa venture into the clear white world. From sledding down hills, to skating across the ice, to meeting fluffy snow angels, Mouse finds that wintertime is full of surprises. And before it's time to go home, Mouse just might have time to "make" a special new friend! Available for the first time as a Classic Board Book, this seasonal story is perfect for little hands!