THE LANDSCAPES, ENHANCED EDITION by American Artist Richard Schmid. This large format book of Richard Schmid¿s sixty-five years as a landscape painter, with over 300 color images, has been color enhanced using the latest state of the art printing technology, and further enriched with added text and many new original drawings in the margins.This is the visual tale of an artist and his life-long romance with the colors and light of our earth. With delightfully candid narrative and over 300 full color images, Richard reveals what it is like to go out and capture life as it is happening. The reader will discover how landscape painting is unlike any other form of art; and that artistic skill is only one of the many abilities demanded.

HE LANDSCAPES, ENHANCED EDITION by American Artist Richard Schmid. A large full color book of the landscape paintings of the American Artist Richard Schmid with text by Richard Schmid. 268 pages. Over 300 full color images. This book covers the career of Richard Schmid's seventy years as a painter of landscapes. This is the visual tale of an artist and his lifelong romance with the colors and light of our earth. Richard reveals what it is like to go out and capture life as it is happening, in addition, stories about the adventures of painting outdoors from life throughout the United States and many other countries. This Enhanced Edition represents the very latest advances in printing color images. Over a dozen new small drawings. and over 100 new captions written by Richard Schmid have been added as well.

Looking at the interaction of race and terrain during a critical period in Latin American history--Provided by publisher.

Illustrations and paintings by Maxfield Parrish are paired with Mother Goose rhymes, tales from the Arabian Nights, and works by the Brothers Grimm, Nathaniel Hawthorne, Robert Browning, Charles Perrault, and Eugene Field.

Land is embedded in a multitude of material and cultural contexts, through which the human experience of landscape emerges. Ethnographers, with their participative methodologies, long-term co-residence, and concern with the quotidian aspects of the places where they work, are well positioned to describe landscapes in this fullest of senses. The contributors explore how landscapes become known primarily through movement and journeying rather than stasis. Working across four continents, they explain how landscapes are constituted and recollected in the stories people tell of their journeys through them, and how, in turn, these stories are embedded in landscaped forms.

Assessing a unique collection of more than eighty images, this innovative study of visual culture reveals the productive organization of plantation landscapes in the nineteenth-century Atlantic world. These landscapes—from cotton fields in the Lower Mississippi Valley to sugar plantations in western Cuba and coffee plantations in Brazil's Paraiba Valley—demonstrate how the restructuring of the capitalist world economy led to the formation of new zones of commodity production. By extension, these environments radically transformed slave labor and the role such labor played in the expansion of the global economy. Artists and mapmakers documented in surprising detail how the physical organization of the landscape itself made possible the increased exploitation of enslaved labor. Reading these images today, one sees how technologies combined with evolving conceptions of plantation management that reduced enslaved workers to black bodies. Planter control of enslaved people's lives and labor maximized the production of each crop in a calculated system of production. Nature, too, was affected: the massive increase in the scale of production and new systems of cultivation increased the land's output. Responding to world economic conditions, the replication of slave-based commodity production became integral to the creation of mass markets for cotton, sugar, and coffee, which remain at the center of contemporary life.

Fermented Landscapes applies the concept of fermentation as a mechanism through which to understand and analyze processes of landscape change. This comprehensive conceptualization of “fermented landscapes” examines the excitement, unrest, and agitation evident across shifting physical-environmental and sociocultural landscapes as related to the production, distribution, and consumption of fermented products. This collection includes a variety of perspectives on wine, beer, and cider geographies, as well as the geography of other fermented products, considering the use of “local” materials in craft beverages as a function of neolocalism and sustainability and the nonhuman elements of fermentation. Investigating the environmental, economic, and sociocultural implications of fermentation in expected and unexpected places and ways allows for a complex study of rural-urban exchanges or metabolisms over time and space—an increasingly relevant endeavor in socially and environmentally challenged contexts, global and local.