""There are men,"" say the Moors, ""who have come from islands far away to the west, upon the great ocean, to see Morocco. Like all the world, they know that there is no other land to compare to it...""' Walter Harris and Morocco are inextricably linked. For 35 years, he immersed himself in the culture and way of life of Morocco in a way that few ever had before. At a time when the wild, lawless interior of the country had hardly been explored by any westerner, Harris would dress as a local and venture into the badlands, fearlessly encountering caids and saints, brigands and warriors. In this classic work, Harris gives an evocative account of his journeys around Morocco from 1887-1889. In Tangier he writes of the eccentrics, artists and lost souls who lived there. He takes an eventful ride through Wazzan -- a place few Europeans would ever dare to visit. In Marrakech, he paints a riveting picture of the decadence and darkness of the sultan's court. And, finally, he recounts the story of his now-celebrated ride, in disguise, to Sheshouan -- the second of only three Christians ever to enter the town. Walter Harris was a legendary storyteller and through his rich descriptions of the tribes, customs and everyday life of Morocco, he renders a portrait of the country that is hard to surpass. The Land of an African Sultan is a story as compelling now as it was over a century ago - a gem of a book for all those who follow in his footsteps to the land of the setting sun.

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Excerpt from The Land of an African Sultan: Travels in Morocco, 1887, 1888, and 1889 Angela raises herself languidly and watches the shouting Moors who are alongside now in their boats. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.