Ian Duhig has long inspired a fervent and devoted following. With The Lammas Hireling - the title poem having already won both the National Poetry Competition and the Forward Prize for Best Poem - Duhig has produced his most accessible and exciting volume to date, and looks set to reach a whole new audience. A poet of lightning wit and great erudition, Duhig is also a master balladeer and storyteller who shows that poetry is still the most powerful way in which our social history - our lives, loves and work - can be celebrated and commemorated.

Ian Duhig’s erudite, compassionate and often wonderfully droll poetry sits at the intersection of the literary and folk traditions, and moves in an easy and masterly fashion between them. While this has lent his verse an enviable musicality and force, it has also written him a visa to places poets rarely venture. In Pandorama, Duhig has mined poems and songs from the work-camps of England’s itinerant navvies, jihadist training-grounds on the Yorkshire moors, football terraces, and meetings of the National Fancy Rat Society – and has painted a far truer picture of Britain’s cultural diversity than most documentary accounts are able to give us. It is also one we would rather not confront. Duhig was always an elegist of great power, but never more so than in the quiet and focused anger with which he memorializes the tragic figure of David Oluwale, a Nigerian immigrant whose appalling racial harassment led to his death. With Pandorama, poetry’s finest social historian has delivered a riveting book, its vision as broad and unsettling as its title suggests. ‘The most original poet of his generation’ Carol Ann Duffy, Guardian ‘His poetry is learned, rude, elegant, sly and funny, mixing gilded images, belly-laughs and esoteric lore about language (including Irish), art, history, politics and children’s word-games’ Ruth Padel, Independent on Sunday

'These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer.' Daily Telegraph

Ian Duhig's The Speed of Dark is structured around his astonishing reworking of the text of Le Roman de Fauvel, a medieval text that railed against the corruption of the 12th-century French court and church. In Duhig's hands, however, the tale of the power-mad horse-king Fauvel gains a terrifying and almost prophetic contemporary relevance, and is identified with more recent crusades, crazed ambitions and insatiable greeds. Elsewhere Duhig's many admirers will be delighted by his new ballads and elegies, his erudite high jinks and his low gags - with which he builds on the new imaginative territory he staked out in The Lammas Hireling to such universal acclaim. The Speed of Dark again shows Duhig as one the most capacious and brilliant minds in contemporary poetry. 'The most original poet of his generation' Carol Ann Duffy, Guardian 'His poetry is learned, rude, elegant, sly and funny, mixing gilded images, belly-laughs and esoteric lore about language (including Irish), art, history, politics and children's word-games' Ruth Padel, Independent on Sunday 'Duhig telescopes topical allusions, scholarly references and coarse humour into tightly-shaped, surreal poems which burst open with explosive moral force' Alan Brownjohn, Sunday Times

Refugee is a powerful word. One that conjures opposing emotions.

John Siddique is a poet who wants you to read his work, his writing isn't a puzzle you have to figure out. Gathered in these pages is the work of an artist who believes in stories - our stories.From the domestic realities of everyday life to a world distraught with crises and confrontation Recital looks at our lives over the space of a year. Drawing on inspiration from Grave's 'White Goddess,' Siddique's book uses the lunar cycle to tap into the intimate relations of the modern soul; our doubts, hesitations and need for meaning.Glimpses of inspiration from Larkin, Cummings and Neruda inform the poetry here, but Siddique's own voice takes those ways of looking at the world and sets out stories of who we are right now in the 21st century.In a time when so many consider poetry to be of little relevance, here is a writer and a book that has never been more relevant to the questions of today and the people we are. Yet it is with a sensuous and loving eye that Siddique writes about secrets that we almost dare not think about. He reveals the quest for love and the spiritual meaning that underpins us.