THE STORY: An hilarious farce about an imagined meeting in Paris, 1897, between the famous theater divas Sarah Bernhardt and Eleonora Duse. The two actresses--who were the biggest and most temperamental stars of their day--were scheduled to perform b

This riveting biography brilliantly explores the short, intense, and passionate life of the country girl from Normandy, who at thirteen fled her brute of a father to go to Paris. Almost overnight she became one of the most admired courtesans of the 1840s—the inspiration for Alexandre Dumas fils’ The Lady of the Camellias and Verdi’s La Traviata. With her aristocratic ways, elegant clothes and signature camellias, Marie was always a subject of fascination at the opera and the boulevard cafés. Her death at twenty-three from tuberculosis created such an outpouring of sympathy in the press that Charles Dickens, who was in Paris at the time, was amazed. “Everything is erased in the face of an incident which is far more important,” he wrote, “the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis.”

How did Paris and its musical landscape influence Verdi's La traviata? In this book, Emilio Sala re-examines La traviata in the cultural context of the French capital in the mid-nineteenth century. Verdi arrived in Paris in 1847 and stayed for almost two years: there, he began his relationship with Giuseppina Strepponi and assiduously attended performances at the popular theatres, whose plays made frequent use of incidental music to intensify emotion and render certain dramatic moments memorable to the audience. It is in one of these popular theatres that Verdi probably witnessed one of the first performances of Dumas fils' La Dame aux camélias, which became hugely successful in 1852. Making use of primary source material, including unpublished musical works, journal articles and rare documents and images, Sala's close examination of the incidental music of La Dame aux camélias - and its musical context - offers an invaluable interpretation of La traviata's modernity.

Bestselling author Suzanne Robinson takes readers back to the days of the Civil War, as passions run high and even a proper British lady cannot resist the pull of history—or the rugged charms of a Union spy. Visiting friends in Mississippi, Lady Eva Sparrow hopes to escape the tedium of London society’s social calendar. Instead she is appalled by the slavery she finds in the South. Though she is a British citizen, her heart demands that she do something to improve the slaves’ lot. But little does the lady imagine that she possesses the tools for espionage, the influence to turn the tide of a Confederate plot, and the courage to root out a rebel assassin. Texan Ryder Drake works for President Lincoln, setting up a network of spies across the Confederacy. Seeking Britain’s support, Ryder is introduced to Lady Eva, who has powerful political connections in London. Unwilling to trust the fate of the Union to a silly socialite, he dismisses the lovely lady—until her sharp wit and intelligence win him over . . . head and heart. And though Eva is no innocent, just one dangerous glance from Ryder sets her pulse racing—and readies her spirit to risk everything to help him infiltrate society’s highest circles.

Meet Sarah Walters, a Camellia Society debutante with a weakness for bad ideas. Sarah's mother lectures her on etiquette but tends to get loose after a few gins. Still, Sarah tries to follow the debutante code - after all, in Charleston, manners mean everything. But it's not easy to follow the rules, particularly in the summers when she runs into boys in pickup trucks, or, later, when she moves to New York with her friends. For the Camellia girls soon learn, careers don't always go to plan and men don't always love you back: the bright future they thought was theirs dissolves into heartbreak, illness and addiction. And when a shocking event brings thirty-something Sarah back home to Charleston, she must decide where 'home' really is.