What exactly does it mean to be North American? Europeans have been engaged in a long-running debate about the meaning and nature of Europe. The Labyrinth of North American Identities generates a similar discussion in the context of North America: what do we learn about North America as a unit and its individual countries when we explore the idea of a shared North American identity? Combining cultural, anthropological, historical, political, economic, and religious considerations, Philip Resnick acknowledges the relative differences in power and influence of the United States and its North American neighbours but digs deeper to uncover shared characteristics that constitute a labyrinth of North American identities unrestricted by national boundaries. To date, discussions of North America have largely revolved around the often technical implications of the North American Free Trade Agreement (NAFTA) or US homeland security. What has been lacking, by contrast, is a culturally-driven set of reflections. This book examines the legacy of indigenous cultures; the role of organized religion; pathways to independence; the role of imperial languages; manifest destiny; market capitalism and its limitations; democratic practices and failures; diverging uses of the state; new world utopias and dystopias; regional identities; and civilizational perspectives. What results is a vision of North America that defies any top-down attempt to impose a homogeneous "North Americanness."

Moving away from territorially-bound narratives toward a more kinetic conceptualization of identity, this book represents the first analysis of the politics of American identity within the fiction and memoirs of Isabel Allende. Craig offers a radical transformation of societal frameworks through revised notions of place, temporality, and space.

"A provocative and uncommon reversal of perspective."--Elena Poniatowska.

Restructured to offer a more thematic approach Designed to be more student friendly, with new features including chapter summaries, a glossary of Spanish phrases and acronyms All the chapters have been substantially revised and a new chapter on livelihoods and place, as well as a concluding chapter, have been added. All the chapters have been substantially revised and a new chapter on livlihoods and place, as well as a concluding chapter, have been added.

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books