The literature of medieval knighthood is shown to have influenced exploration narratives from Marco Polo to Captain John Smith. Explorers from Marco Polo to Captain John Smith viewed their travels and discoveries in the light of attitudes they absorbed from the literature of medieval knighthood. Their own accounts, and contemporary narratives [reinforced by the interest of early printers], reveal this interplay, but historians of exploration on the one hand, and of chivalry on the other, have largely ignored this cultural connection. Jennifer Goodman convincingly develops the ideaof the chivalric romance as an imaginative literature of travel; she traces the publication of medieval chivalric texts alongside exploration narratives throughout the later middle ages and renaissance, and reveals parallel themesand preoccupations. She illustrates this with the histories of a sequence of explorers and their links with chivalry, from Marco Polo to Captain John Smith, and including Gadifer de la Salle and his expedition to the Canary Islands, Prince Henry the Navigator, Cortés, Hakluyt, and Sir Walter Raleigh. JENNIFER GOODMAN teaches at Texas A & M University.

This copious collection of reminiscences, reports, letters, and documents allows readers to experience the vast and varied landscape of early California from the viewpoint of its inhabitants. What emerges is not the Spanish California depicted by casual visitors—a culture obsessed with finery, horses, and fandangos—but an ever-shifting world of aspiration and tragedy, pride and loss. Conflicts between missionaries and soldiers, Indians and settlers, friends and neighbors spill from these pages, bringing the ferment of daily life into sharp focus.

This new Companion provides a broad and perceptive overview of the most important vernacular literary genre of the Middle Ages. Freshly commissioned, original chapters from seventeen leading scholars introduce students and general readers to the form's poetics, narrative voice and manuscript contexts, as well as its relationship to the Mediterranean world, race, gender and the emotions, among many other topics. Providing fresh perspectives on the first pan-European literary movement, essays range across a broad geographical area, including England, France, Italy, Germany and the Iberian Peninsula, as well as a varied linguistic spectrum, including Arabic, Hebrew and Yiddish. Exploring the celebration of chivalric ideals and courtly refinements, the volume excavates the tensions and traumas lying beneath decorous surface appearances. An introduction, bibliography of texts and translations as well as chapter-by-chapter reading lists complete this essential guide.

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

California has been invaded by three imperial powers: Spain, Mexico, and the United States. Deep California examines in depth the lingering psychological traumas and motifs emanating from that long history of conquest. These unhealed events have not been left in the past: they recur symbolically again and again, growing in intensity as the overbuilt land and its distracted occupiers unconsciously but definitively demonstrate that environmental justice and social justice can no longer be thought of as separate. Pacing crusaders and colonizers from county to county along El Camino Real, Deep California studies the lingering impact of continuous oppression of people and places as images and themes of displacement and exile filter down into architecture, agriculture, politics, art, culture, psychology, and even folklore and dream. Yet within the shadows cast over California also dwell resistance, humor, irony, tragedy, and hope for more heartfelt and soulful connections to this story-rich "land of the sundown sea." "History" is an inadequate term for such a sweeping and deep discovery of how the past informs the present. This work deserves to be read widely by all Californians and Americans, and taken to heart, and the hard lessons applied to all places we inhabit on this stolen land. -Lesley Thomas, author of Flight of the Goose (Far Eastern Press, 2005) "A monumental and much-needed study in depth of the conquest, occupation, traumatization, and animation of the mission cities and counties of coastal California, places which have worked their way into our unsuspecting psyches." -Linda Buzzell, MA, MFT, co-editor of Ecotherapy: Healing with Nature in Mind (Sierra Club Books, 2009)

Romance was criticized for its perceived immorality throughout the Renaissance, and even enthusiasts were often forced to acknowledge the shortcomings of its dated narrative conventions. Yet despite that general condemnation, the striking growth in English fiction in the late sixteenth and early seventeenth centuries is marked by writers who persisted in using this much-maligned narrative form. In Renaissance Romance, Nandini Das examines why the fears and expectations surrounding the old genre of romance resonated with successive new generations at this particular historical juncture. Across a range of texts in which romance was adopted by the court, by popular print and by women, Das shows how the process of realignment and transformation through which the new prose fiction took shape was driven by a generational consciousness that was always inherent in romance. In the fiction produced by writers such as Sir Philip Sidney, Robert Greene and Lady Mary Wroth, the transformative interaction of romance with other emergent forms, from the court masque to cartography, was determined by specific configurations of social groups, drawn along the lines of generational difference. What emerged as a result of that interaction radically changed the possibilities of fiction in the period.