This eBook edition of "The La Chance Mine Mystery" has been formatted to the highest digital standards and adjusted for readability on all devices. Excerpt: "To a stranger there might have seemed to be nothing particular to stare at, out on a lake where the world was all wind and lumpy seas and growing November twilight; but any one who had lived at La Chance knew better. By the map Lac Tremblant should have been our nearest gold route to civilization, but it was a lake that was no lake, as far as transport was concerned, and we never used it. The five-mile crossing I was making was just a fair sample of the forty miles of length Lac Tremblant stretched mockingly past the La Chance mine toward the main road from Caraquet—our nearest settlement—to railhead: and that was forty miles of queer water, sown with rocks that were sometimes visible as tombstones in a cemetery and sometimes hidden like rattlesnakes in a blanket. For the depth of Lac Tremblant, or its fairway, were two things no man might ever count on."

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Autism.

Voltaire (1694-1778), novelist, dramatist, poet, philosopher, historian, and satirist, was one of the most renowned figures of the Age of Enlightenment. In this collection of anti-clerical works from the last twenty-five years of Voltaire's life, he roundly attacks the philosophical optimism of the deists, the so-called inspiration of the Bible, the papacy, and vulgar superstition. These great works reveal Voltaire not only as a polemicist but also as a profound humanitarian. Selections include "Poem on the Lisbon Disaster," "We Must Take Sides," "The Questions of Zapate," "The Sermon of the Fifty," homilies on superstition and the interpretation of the Old and New Testaments, and his famous "Treatise on Toleration."