North Korea’s deadliest weapon is sleeper agent Song Sun Young. Married with children and living the good life in New York City, she has waited seven years to activate the mission she was trained to do: infiltrate America’s financial infrastructure. She prays the call from her handlers will never come, because she loves her husband and kids and affluent New York lifestyle. But the call does come. During volatile negotiations between the White House and Pyongyang, Song is hurled back into a reality she had hoped to leave behind forever. Unbeknownst to her, the CIA has already broken her cover. Working with “retired” Israeli operative Dalia Artzi, they track the Korean agent as she relentlessly executes her mission. Langley is pulling strings behind the scenes, confident of its advantage in this high-stakes game—until an unforeseen wild card from within its very ranks hijacks the operation for an unthinkable purpose. Dalia realizes that Song has been the unwitting catalyst for the disaster now unfolding, and that she alone can stop it from engulfing the world.

“I am most grateful for two things: that I was born in North Korea, and that I escaped from North Korea.” - Yeonmi Park "One of the most harrowing stories I have ever heard - and one of the most inspiring." - The Bookseller “Park's remarkable and inspiring story shines a light on a country whose inhabitants live in misery beyond comprehension. Park's important memoir showcases the strength of the human spirit and one young woman's incredible determination to never be hungry again.” —Publishers Weekly In In Order to Live, Yeonmi Park shines a light not just into the darkest corners of life in North Korea, describing the deprivation and deception she endured and which millions of North Korean people continue to endure to this day, but also onto her own most painful and difficult memories. She tells with bravery and dignity for the first time the story of how she and her mother were betrayed and sold into sexual slavery in China and forced to suffer terrible psychological and physical hardship before they finally made their way to Seoul, South Korea—and to freedom. Park confronts her past with a startling resilience. In spite of everything, she has never stopped being proud of where she is from, and never stopped striving for a better life. Indeed, today she is a human rights activist working determinedly to bring attention to the oppression taking place in her home country. Park’s testimony is heartbreaking and unimaginable, but never without hope. This is the human spirit at its most indomitable.

A New York Times Editors Choice Selection A global sensation, Kim Jiyoung, Born 1982 “has become...a touchstone for a conversation around feminism and gender” (Sarah Shin, Guardian). One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial “everywoman” Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor—from her birth to parents who expected a son to elementary school teachers who policed girls’ outfits to male coworkers who installed hidden cameras in women’s restrooms. But can her psychiatrist cure her, or even discover what truly ails her? “A social treatise as well as a work of art” (Alexandra Alter, New York Times), Kim Jiyoung, Born 1982 heralds the arrival of international powerhouse Cho Nam-Joo.

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In this engagingly written account, Martine Batchelor relays the challenges a new ordinand faces in adapting to Buddhist monastic life: the spicy food, the rigorous daily schedule, the distinctive clothes and undergarments, and the cultural misunderstandings inevitable between a French woman and her Korean colleagues. She reveals as well the genuine pleasures that derive from solitude, meditative training, and communion with the deeply religiouswhom the Buddhists call "good friends." Batchelor has also recorded the oral history/autobiography of her teacher, the eminent nun Son'gyong Sunim, leader of the Zen meditation hall at Naewonsa. It is a profoundly moving, often light-hearted story that offers insight into the challenges facing a woman on the path to enlightenment at the beginning of the twentieth century. Original English translations of eleven of Son'gyong Sunim's poems on Buddhist themes make a graceful and thought-provoking coda to the two women's narratives. Western readers only familiar with Buddhist ideas of female inferiority will be surprised by the degree of spiritual equality and authority enjoyed by nuns in Korea. While American writings on Buddhism increasingly emphasize the therapeutic, self-help, and comforting aspects of Buddhist thought, Batchelor's text offers a bracing and timely reminder of the strict discipline required in traditional Buddhism.

An intimate portrait of the postwar lives of Korean children and women Korean children and women are the forgotten population of a forgotten war. Yet during and after the Korean War, they were central to the projection of US military, cultural, and political dominance. Framed by War examines how the Korean orphan, GI baby, adoptee, birth mother, prostitute, and bride emerged at the heart of empire. Strained embodiments of war, they brought Americans into Korea and Koreans into America in ways that defined, and at times defied, US empire in the Pacific. What unfolded in Korea set the stage for US postwar power in the second half of the twentieth century and into the twenty-first. American destruction and humanitarianism, violence and care played out upon the bodies of Korean children and women. Framed by War traces the arc of intimate relations that served as these foundations. To suture a fragmented past, Susie Woo looks to US and South Korean government documents and military correspondence; US aid organization records; Korean orphanage registers; US and South Korean newspapers and magazines; and photographs, interviews, films, and performances. Integrating history with visual and cultural analysis, Woo chronicles how Americans went from knowing very little about Koreans to making them family, and how Korean children and women who did not choose war found ways to navigate its aftermath in South Korea, the United States, and spaces in between.

Presenting the voices of a unique group within contemporary Japanese society—Zainichi women—this book provides a fresh insight into their experiences of oppression and marginalization that over time have led to liberation and empowerment. Often viewed as unimportant and inconsequential, these women’s stories and activism are now proving to be an integral part of both the Zainichi Korean community and Japanese society. Featuring in-depth interviews from 1994 to the present, three generations of Zainichi Korean women—those who migrated from colonial Korea before or during WWII and the Asia-Pacific War and their Japan-born descendants—share their version of history, revealing their lives as members of an ethnic minority. Discovering voices within constricting patriarchal traditions, the women in this book are now able to tell their history. Ethnography, interviews, and the women’s personal and creative writings offer an in-depth look into their intergenerational dynamics and provide a new way of exploring the hidden inner world of migrant women and the different ways displacement affects subsequent generations. This book goes beyond existing Anglophone and Japanese literatures, to explore the lives of the Zainichi Korean women. As such, it will be invaluable to students and scholars of Japanese and Korean history, culture and society, as well as ethnicity and Women’s Studies.