Peace Sorochi Longdet is a lecturer at the Department of English, Federal College of Education, Pankshin, Plateau State, Nigeria. She obtained her PhD in 2019, from the Department of English, University of Jos, Jos, Plateau State, Nigeria. She has participated in National and International conferences and also published articles in journals. She has won two academic prizes; best graduating student, Department of English, F.C.E., Pankshin 1999 and NAWCS prize for best graduating female student in the Faculty of Arts, University of Jos, 2006 (undergraduate). In 2017, she won a Fellowship for the documentation of Mwaghavul oral literature by Firebird Foundation for Anthropological Research Fellowship, USA. Her areas of research interest are computational folkloristics, African Literature (Oral and written), Gender Studies, Children Literature and Creative Writing.

The Kob Antelope Woman and Other Human-Animal Folktales from the Mwaghavul of Nigeria is a collection of thirty-eight indigenous folktales from the Mwaghavul people, an indigenous community in the central zone of the present Plateau State of Nigeria. These folktales are well cherished by the Mwaghavul people. Folktales are rich and authentic sources of African values. Used deliberately to inculcate positive values in children, they are, therefore, didactic and morality-laden. These tales contain unique cultural knowledge. This book is written in a bilingual style and the translation is done with precision and clarity in order not to lose the flavour of its original form. The tales, though traditional, include contemporary real-life lessons and insights from a wide spectrum of experiences.

Long before people could turn to books for instruction and amusement, they relied upon storytellers for answers to their questions about life. Africa boasts a particularly rich oral tradition, in which the griot — village historian — preserved and passed along cultural beliefs and experiences from one generation to the next. This collection of 30 timeless fables comes from the storytellers of Nigeria, whose memorable narratives tell of promises kept and broken, virtue rewarded, and treachery punished. Ajapa the Tortoise — a trickster, or animal with human qualities — makes frequent appearances among the colorful cast of talking animals. In "Tortoise Goes Wooing," he learns a valuable lesson in friendship and sharing. Ajapa's further adventures describe how, among other things, he became a chief, acquired all of the world's wisdom, saved the king, tricked the lion, and came to be bald. Recounted in simple but evocative language, these ancient tales continue to enchant readers and listeners of all ages.

Most African languages are spoken by communities as one of several languages present on a daily basis. The persistence of multilingualism and the linguistic creativity manifest in the playful use of different languages are striking, especially against the backdrop of language death and expanding monolingualism elsewhere in the world. The effortless mastery of several languages is disturbing, however, for those who take essentialist perspectives that see it as a problem rather than a resource, and for the dominating, conflictual, sociolinguistic model of multilingualism. This volume investigates African minority languages in the context of changing patterns of multilingualism, and also assesses the status of African languages in terms of existing influential vitality scales. An important aspect of multilingual praxis is the speakers' agency in making choices, their repertoires of registers and the multiplicity of language ideology associated with different ways of speaking. The volume represents a new and original contribution to the ethnography of speaking of multilingual practices and the cultural ideas associated with them.

The Hare and Baboon and other Stories is a collection of 7 fables from 7 different countries on the African continent: Nigeria, Togo, South Africa, Zimbabwe, Angola, Cameroon, and Cote d'Ivoire. These tales are filled with the warmth of Africa and offer a glimpse into the cultures they are set in. They are filled with talking animals and adventurous quests. They generally include morals that teach us to be better people. Among other things, the stories explain how the tortoise's shell became cracked, and how fire came to earth. Each story is accompanied by an original illustration painted by the artist Thamba Tabvuma.

A Grammar of Mina is a reference grammar of a hitherto undescribed and endangered Central Chadic language. The book contains a description of the phonology, morphology, syntax, and all the functional domains encoded by this language. For each hypothesis regarding a form of linguistic expression and its function, ample evidence is given. The description of formal means and of the functions coded by these means is couched in terms accessible to all linguists regardless of their theoretical orientations. The outstanding characteristics of Mina include: vowel harmony; use of phonological means, including vowel deletion and vowel retention, to code phrasal boundaries; two tense and aspectual systems, each system carrying a different pragmatic function; a lexical category ‘locative predicator’ hitherto not observed in other languages; some tense, aspect, and mood markers that occur before the verb, and others that occur after the verb; the markers of interrogative and negative modality that occur in clause-final position; the conjunction used for a conjoined noun phrase in the subject function that differs from the conjunction used for a conjoined noun phrase in all other functions.In addition to the coding of argument structure, adjuncts, tense, aspect, and mood categories, Mina also codes the category point-of-view. The language has a clausal category ‘comment clause’ used in both simple and complex sentences, which overtly marks the speaker’s comment on the proposition. The discourse structure has the principle of unity of place. If one of the participants in a described event changes scene, that is coded by a special syntactic construction in addition to any verb of movement that may be used. Because of these unusual linguistic characteristics, the Grammar of Mina will be of interest to a wide range of linguists.