The six women of the Knitting Circle meet every week to chat, eat cake, and make fabulous sweaters. Until the night they realize that they’ve all survived rape—and that not one of their assailants has suffered a single consequence. Enough is enough. The Knitting Circle becomes the Knitting Circle Rapist Annihilation Squad. They declare open season on rapists, with no licenses and no bag limits. With needles as their weapons, the revolution begins. A cop is stabbed through a doughnut hole and into his heart. A country-western singer is found with knitting needles jammed into both ears and his no-means-yes hit song playing. A pedophile priest is killed in the sacristy. As the Circle swells, perpetrators learn to shudder at the sight of business women with knitted briefcases, students with knitted backpacks, roller derby queens with knitted kneepads. They also push back, as organizations of men—from the Chamber of Commerce to the Department of Agriculture to the Autonomous Federated Association of Coalitions of Anarchists for Spontaneous Insurrectionary Sexual Freedom (the AFACASISF, with their unique musical style: deathvomitnoise)—issue statements against the Knitting Circle. More sinister is MAWAR (Men Against Women Against Rape), with their Bible Scrabble and their beefcake Jesus calendar—and a plot to stop the Knitting Circle. Will the Knitting Circle triumph? Or will Officer Flint learn to knit in time to infiltrate it? Will Nick the male ally brave Daisy’s Craft Barn to secure more weapons for the women? Will Marilyn put down her teenage attitude and pick up her knitting needles? Will Circle member Jasmine find true love with MAWAR’s Zebediah?

In this darkly comic novel, the six women of the Knitting Circle meet every week to talk, eat cake, and make fabulous sweaters. The easy-going circle undergoes a drastic change when the members realize they are all the survivors of rape-worse still, that none of their attackers suffered consequences-and the group becomes the vengeful Knitting Circle Rapist Annihilation Squad, taking punishment into their own hands via their knitting needles. As the women take their revenge, groups of men issue statements against the vigilante ladies, from the Chamber of Commerce to the sinister Men Against Wom.

Monsters is an illustrated collection of wild, weird, and whimsical tales with a twist. These stories are not about mythical creatures; here, the creatures speak for themselves. There’s an orc who hates Tolkien, a young demon awash in teenage angst, an angel abandoned by Jesus who finds the Fates. Jensen creates a world both delicately dreamlike and all too real, where the villain is sometimes the victim and evil is not always what we thought. If stories teach us how to be human, then the stories in Monsters are the ones we need now. These are fractured fairy tales for grown-ups, where the roots of sadism are laid bare and the horrors of human supremacism are firmly faced. But as in all of Jensen’s work, love is both always possible and also a call to action. By turns macabre, melancholy, and magical, these stories and their accompanying images will leave you wondering who the real monsters are and how they can be defeated.

Jensen and Draffan look at the way machine readable devices that track our identities and purchases have infiltrated our lives and have come to define our culture.

Seattle printing collective owner Pam Nilsen is on the case when a member of the group turns up dead before a controversial merger Pam Nilsen and her twin sister, Penny, inherited Best Printing four years ago when their parents died in a car crash. Unwilling to sell their family legacy, the sisters turned it into a collective run by a cadre of activists whose arguments over the business can be just as impassioned as their support for progressive causes. But internal divisions at the collective pale in comparison to those between Seattle typesetters B. Violet and Moby Dick—once a single company that has since broken apart into an all-female (and lesbian-run) company, and an all-male (and quickly bankrupt) operation. Shortly after Best Printing and B. Violet begin discussing a merger, the offices of the typesetter are ransacked, one of their members nowhere to be found. Then an employee of Best Printing is found murdered. It appears as if someone will stop at nothing—not even murder—to prevent the merger. And it’s up to Pam to get to the bottom of this deadly turn of events before the killer strikes again. Murder in the Collective is the first book in the Pam Nilsen Mystery trilogy, which continues with Sisters of the Road and The Dog Collar Murders.

Can a cartoonist and millions of random strangers change the world? The initial stages of their attempt are chronicled in this book of comics-journalism and written observations. Stephanie McMillan, long-time activist and cartoonist, has waited her entire life for the American people to rise up. Sparked by uprisings around the world, a new movement bursts onto the national scene against a system that denies the people a decent life and puts the planet at risk. With delightful full-color drawings, interviews, dialogue, description, and insightful reflections, this book chronicles the first several months of the fragile and contradictory movement. It situates detailed personal experiences and representative narratives within the broad context of a truly unique and historical global conjuncture. This book will stand as a record of the emerging movement in accessible comics form.

There is a new category of authors blurring the line between fiction and nonfiction: women who work or have worked in criminal justice--lawyers, police officers and forensic investigators--who publish crime fiction with characters that resemble real-life counterparts. Drawing on their professional experience, these writers present compelling portrayals of inequality and dysfunction in criminal justice systems from a feminist viewpoint. This book presents the first examination of the true-crime-infused fiction of authors like Dorothy Uhnak, Kathy Reichs and Linda Fairstein.