This book offers an integrated interpretative analysis of the major thematic aspects of the English fourteenth-century romance Sir Gawain and the Green Knight. The chief aim of author Piotr Sadowski is to look at the contents of the narrative in their entirety and to take full advantage of the poem's exceptional and widely praised harmony of structure and design. Within that design, Sadowski focuses on the poem's presentation of the main protagonist and his adventures, seen first of all as a generalized metaphor of the human life understood as a spiritual quest, and, in a more historical sense, as an expression and critique of certain ideals, values, and anxieties that characterized the late medieval institutions of the court, chivalry, and the Church. Sadowski built the interpretive framework of Sir Gawain from an eclectic theoretical base that he believes is most valuable and useful in approaching medieval literature. The main focus of the study remains the literary text itself, created by an author who communicates his view of the world through the poem.

Shown on the back cover is a pictures of Fern Falls in Rocky Mountain National Park of the USA (about one mile high) taken by the Author in 2012 Mister Brian Starr . On the front cover are some old talesiens, The Knight Maker has many secrets found in Christianity as well the title Knight, meaning the past times. The book has many pages that any Christian would benefit from.

A young woman hides out in a convent in this prequel to the dark erotic romance series by a USA Today–bestselling author. For years, Kingsley Edge warned Eleanor the day would come when she, the mistress of a well-respected Catholic priest, would have to run. She always imagined if that day came, she’d be running with Søren. Instead, she’s running from him. Fearing Søren and Kingsley will use their power and influence to bring her back, Eleanor takes refuge at the one place the men in her life cannot follow. Behind the cloistered gates of the convent where her mother has taken orders, Eleanor hides from the man she loves and hates in equal measure. With Eleanor gone, the lights have gone out in Kingsley’s kingdom. When he learns the reason she left, he, too, turns his back on Søren and runs. On a beach in Haiti, Kingsley meets Juliette, the one woman who could save him from his sorrows. But only if he can save her first. Eleanor can hide from Søren but she can’t hide from her true nature. A virginal novice at the abbey sends Eleanor down a path of sexual awakening, but to follow this path means leaving her lover behind, a sacrifice Eleanor refuses to make. The lure of the forbidden, the temptation to sin and the price of passion have never been higher, and Eleanor and Kingsley will have to pay it if they ever want to go home again. Praise for the Original Sinners series “I loved the Original Sinners series . . . Her prose is quite beautiful, and she can weave a wonderful tight story.” —New York Times– and USA Today–bestseller Jennifer Probst “Tiffany Reisz’s The Original Sinners series is painful, prideful, brilliant, beautiful, hopeful, and heart-breaking. And that’s just the first hundred pages.” —New York Times–bestselling author Courtney Milan “Required reading . . . . Stunning . . . . Transcends genres and will leave readers absolutely breathless.” —RT Book Reviews “I worship at the altar of Tiffany Reisz! Whip smart, sexy as hell—The Original Sinners series knocked me to my knees.” —New York Times–bestselling author Lorelei James

This book tells the extraordinary story of a village of peasants and miners who were slaves belonging to the king of Spain and whose local patroness was a vision of the virgin. It explores the ways the royal slaves, assisted by te force of popular religion, achieved a degree of freedom unprecedented in other colonial societies of the New World.

The monk and the knight -- the two quintessentially medieval European heroes -- were combined in the Knights Templar and in the other military orders founded in the era of the Crusades. With characteristic eloquence, Bernard of Clairvaux voices the cleric's view of knights, warfare, and the conquest of the Holy Land in five chapters on the knights' vocation. Then the cistercian abbot who never visited Palestine and discouraged monks who proposed doing so, in another eight chapters, provides a spiritual tour of the pilgrimage sites guarded by this 'new kind of knighthood and one unknown to ages gone by.'

Some fifty years before Chrétien de Troyes wrote what is probably the first and certainly the most influential story of the Holy Grail, images of the Virgin Mary with a simple but radiant bowl (called a “grail” in local dialect) appeared in churches in the Spanish Pyrenees. In this fascinating book, Joseph Goering explores the links between these sacred images and the origins of one of the West’s most enduring legends. While tracing the early history of the grail, Goering looks back to the Pyrenean religious paintings and argues that they were the original inspiration of the grail legend. He explains how storytellers in northern France could have learned of these paintings and how the enigmatic “grail” in the hands of the Virgin came to form the centerpiece of a story about a knight in King Arthur’s court. Part of the allure of the grail, Goering argues, was that neither Chrétien nor his audience knew exactly what it represented or why it was so important. And out of the attempts to answer those questions the literature of the Holy Grail was born.