This classic medieval romance of chivalry by an outstanding figure in a brilliant period of Georgian literature has affinities with both the Persian tradition and that of the West.

The Knight in the Panther Skin, Book One: Avtandil's QuestStorms gather on the far reaches of the Arabian frontier. The King grows old, and the throne lacks an heir. To avert disaster, he appoints his only daughter as regent, but just days after her coronation, a Black Knight appears from edges of the realm.He wears the skin of a panther and rides a midnight steed. When the King and his foster son Avtandil give challenge, the stranger butchers countless soldiers before vanishing before their eyes. Despite searching the empire, no one can find a trace of him or where he went. It's as if the man never existed.To learn the secret of the Knight in the Panther Skin, Avtandil is given an impossible quest. He must risk all he has ever loved and undertake a perilous journey to lands no Arabian has ever seen. Alone and lost to himself, he has no choice but to scour the edges of the world in search of his quarry. But first, he must overcome himself.If he succeeds, he will return home to the heart of his beloved. Yet, failure will bring all he has ever loved to ruin. His home will become no more than a wasteland of the hopes and dreams he once had. The problem is, no one knows how to find the Black Knight, or if he is a man or a monster?

Scientific Essay from the year 2016 in the subject German Studies - Older German Literature, Medieval Studies, grade: -, , language: English, abstract: Around the year 1200, an unknown poet from today's Germany composed the epic 'The Nibelungenlied' or 'Song of the Nibelungs' which became the national epic at the early 19th century. The Georgian national epic of the 'Knight in the Panther Skin' was created at around the same time as the 'Nibelungenlied' by Shota Rustaveli. This coincidence was the motivation to draw a comparison between both medieval poems. The paper includes synopses of both epics, followed by the description of the origin of courtly epic and the national epics in Western Europe and Georgia. After a general comparison of the 'Knight in the Panther Skin' with Western European medieval poetry, a detailed comparison with 'The Nibelungenlied' is provided.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

Reproduction of the original: Georgian Folk Tales by Marjory Wardrop

Dark Ages: Vampire takes you to the nights before the Camarilla, when kine truly had reason to be afraid of the dark. The vampires of this bygone age ride the dark as lords, play their games with the crowned heads of Europe, and travel to the mysterious lands of the East as they wage their ages-old war. The diablerie of saulot, the waking of Mithras, the destruction of Michael the patriarch, the return of the Dracon -- it all means the time of reflection is over. The Inquisition stirs and the time to act is now. Across Europe, monarchs of the night set princes and barons at each other's undying throats. Young vampires take to the field ready to claim their domain and become powerful lords in their own right. Blood calls to blood. Rules for playing vampire knights.