With her master dead and her oaths foresworn, necromancer and spy Isyllt Iskaldur finds herself in exile. Hounded by assassins, she seeks asylum in Assar, the empire she so recently worked to undermine. Warlords threaten the empire's fragile peace, and the empress is beset by enemies within the court. Even worse, darkness stirs in the deep desert. Ancient spirits long held captive are waking -- spirits that can destroy Assar faster than any army. Accompanied by an outcast jinn, Isyllt must travel into the heart of the desert to lay the darkness there to rest once more. But her sympathies are torn between the captive spirits and the order of mages sworn to bind them. And whichever choice she makes could raze the empire to dust.

Man-child Blaine McKinnon is brilliant, wealthy, and completely alone. After an emotional breakdown, Blaine starts a new life at the only place he was ever truly happy: Walt Disney World. But he soon finds that just below the surface of his childhood paradise lies a kingdom corrupted by drugs, violence, and deceit. For the first time, Leonard Kinsey brings his fresh writing style to the world of fiction, with astounding results. "Our Kingdom of Dust" deftly combines an insightful and riveting tale with the humor and irreverence that made "The Dark Side of Disney" an international bestseller.

In Macedon, war rises like smoke, forbidden romance blooms and ancient magic tempered with rage threatens to turn an empire to dust After winning his first battle, Prince Alexander fights to become the ruler his kingdom demands—but the line between leader and tyrant blurs with each new threat. Meanwhile, Hephaestion, cast aside by Alexander for killing the wrong man, must conceal the devastating secret of a divine prophecy from Katerina even as the two of them are thrust together on a dangerous mission to Egypt. The warrior, Jacob, determined to forget his first love, vows to eradicate the ancient Blood Magics and believes that royal prisoner Cynane holds the key to Macedon's undoing. And in chains, the Persian princess Zofia still longs to find the Spirit Eaters, but first must grapple with the secrets of her handsome—and deadly—captor. New York Times bestselling author Eleanor Herman entwines the real scandals of history with epic fantasy to reimagine the world's most brilliant ruler, Alexander the Great, in the second book of the Blood of Gods and Royals series.

A powerhouse grimdark fantasy of bloodshed, ambition, and fate, The House of Sacrifice is the thunderous conclusion to Anna Smith Spark's Empires of Dust trilogy, which began with The Court of Broken Knives. Marith Altrersyr has won. He cut a path of blood and vengeance and needless violence around the world and now he rules. It is time for Marith to put down his sword, to send home his armies, to grow a beard and become fat. It is time to look to his own house, and to produce an heir. The King of Death must now learn to live.But some things cannot be learnt. The spoils of war turn to ash in the mouths of the Amrath Army and soon they are on the move again. But Marith, lord of lies, dragon-killer, father-killer, has begun to falter and his mind decays. How long can a warlord rotting from within continue to win? As the Army marches on to Sorlost, Thalia's thoughts turn to home and to the future: a life grows inside her and it is a precious thing - but it grows weak. Why must the sins of the father curse the child? Empires of DustThe Court of Broken KnivesThe Tower of Living and DyingThe House of Sacrifice

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased. This unique work will be welcomed by all historians who want to think about what it is they do.

Perfect for fans of Mark Lawrence and R Scott Bakker, The Court of Broken Knives is the explosive debut by one of grimdark fantasy’s most exciting new voices.