This is a psychoanalytic study of Madame Bovary and King Lear that produces radically different and compelling understanding of these works.

As early as 1760 and as late as 1920, Romantic drama dominated Peninsular Spanish theater. This love affair with Romanticism influenced the formation of Spain's modern national identity, which depended heavily on defining women's place in 19th century society. Women who defied traditional gender roles became a source of anxiety in society and on stage. The adulteress embodied the fear of rebellious women, the growing pains of modernity and the political instability of war and invasion. This book examines the conflicted portrayal of women and the Spanish national identity. Studying the adulteress on stage, the author provides insight into the uneasy tension between progress and tradition in 19th century Spain.

*** FROM USA TODAY BESTSELLING AUTHOR J. ROBERT KENNEDY *** IT WAS ONE OF THE MOST SCANDALOUS AFFAIRS IN THE KINGDOM OF FRANCE’S HISTORY. AND ONE TEMPLAR KNIGHT PLAYED A PIVOTAL ROLE. When a woman arrives at Sir Marcus de Rancourt’s new home, claiming to be a cousin of his late brother-in-law, he and his fellow Templars are forced to fight off her pursuers before knowing the truth of her crime—accusations of adultery by her husband. Swearing she is innocent, Sir Marcus and his trusted sergeant agree to seek out the truth, while his squires remain behind to protect her. But soon after arriving in Paris, they discover that nothing is as it seems, and more is going on than they could have possibly imagined. USA Today bestselling author J. Robert Kennedy once again takes history and twists it to his own ends, delivering a pulse-pounding page-turner filled with enough mystery, intrigue, action, and humor, to satisfy any thriller fan. If you enjoy fast-paced adventures in the style of Dan Brown, Clive Cussler, and James Rollins, then you’ll love this taut historical tale of intrigue. Get your copy of The Templar Detective and the Parisian Adulteress today, and discover the forgotten history of one of France’s greatest scandals, and how one Templar knight changed history.

Katherine Sedley lived by her own rules and loved who she pleased- until she became the infamous mistress of King James II... London, 1675: Born to wealth and privilege, Katherine is introduced to the decadent court of King Charles II, and quickly becomes a favorite from the palace to the bawdy playhouses. She gleefully snubs respectable marriage to become the Duke of York's mistress. But Katherine's life of carefree pleasure ends when Charles II dies, and her lover becomes King James II. Suddenly she is cast into a tangle of political intrigue, religious dissent, and ever-shifting alliances, where a wrong step can mean treason, exile, or death at the executioner's block. As the risks rise, Katherine is forced to make the most perilous of choices: to remain loyal to the king, or to England.

In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E

This extract from the Eerdmans Commentary on the Bible provides Crawford’s introduction to and concise commentary on Esther. The Eerdmans Commentary on the Bible presents, in nontechnical language, the best of modern scholarship on each book of the Bible, including the Apocrypha. Reader-friendly commentary complements succinct summaries of each section of the text and will be valuable to scholars, students, and general readers. Rather than attempt a verse-by-verse analysis, these volumes work from larger sense units, highlighting the place of each passage within the overarching biblical story. Commentators focus on the genre of each text—parable, prophetic oracle, legal code, and so on—interpreting within the historical and literary context. The volumes also address major issues within each biblical book—including the range of possible interpretations—and refer readers to the best resources for further discussions.