Excerpt from The King Edward Music Readers, Vol. 1: First Reader Some patriotic songs with an instrumental accompaniment are given in an appendix. These may be used as rote songs, the music being beyond the limits of the work covered by the Reader. A glos sary of all musical signs and expressions used in the book is also given. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The King Edward Music Readers: Second Reader At the end of the Reader will be found a very ample glossary of musical signs and expressions; a scheme showing how the signatures for difi'erent keys are obtained; a modulator; and a diagram of the cycle of keys. As in the First Reader some patriotic songs with an instrumental accompaniment are given in an appendix. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Presents Top 20 music charts for the period and data on each song. Numerical chart ratings are approximate, based on sources that largely contained only prose or qualitative information about the songs of the day. Section I is an index of charted songs, and Section II contains month-by-month song charts. Section III breaks monthly charts into semi-monthly intervals and shows the chart activity of songs from a more detailed viewpoint. Section IV contains complete details for every song mentioned, with information on title, rank for the year, publisher at the time of popularity, publication date, and the month, year, and rank when peak popularity was attained, plus writers of the song and artists connected with the song, and shows or movies in which the song was featured. Annotation copyrighted by Book News Inc., Portland, OR

_______________ 'Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS 'There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it. Said was one' - Daily Telegraph 'The sheer eloquence of Said's writings reminds us that with his untimely death we have lost one of our most distinguished music critics.' - Maynard Solomon, The Julliard School _______________ WITH A FOREWORD BY DANIEL BARENBOIM Music at the Limits brings together three decades of Edward W. Said's essays and articles on music. Addressing the work of a wide variety of composers and performers, Said analyses music's social and political contexts, and provides rich and often surprising assessments. He reflects on the censorship of Wagner in Israel; the relationship between music and feminism; and the works of Beethoven, Bruckner, Rossini, Schumann, Stravinsky and others. Always eloquent and often surprising, Music at the Limits reinforces Said's reputation as one of the most influential writers of the twentieth century. _______________ 'This fine collection by one of the most perceptive music critics of the last half-century is highly recommended' - Library Journal