Boggs is unparalleled in evoking the gritty reality of the Old West --The Shootist Johnny D. Boggs is one of America's great Western writers--mixing adventure and realism with a torrid storytelling style all his own. In 1880's Arizona Territory, a good man goes bad--but for the best of all reasons. . . He's Got One Chance To Live. . .And A Hundred Ways To Die Deputy U.S. Marshal Reilly McGilvern is hauling criminals to Yuma when his prison wagon is attacked, and McGilvern is left locked inside to die. When another outlaw gang comes upon the scene, Reilly McGilvern thinks he's lived to see another day. . .but his problems are just beginning. Bloody Jim Pardo wants to avenge the Civil War--and to steal the kind of weapons that will let him do it. Riding with his mother, his trusted killers and two hostages, Pardo thinks McGilvern is a fearsome criminal. Now, to stop Jim Pardo's bloody madness, McGilvern needs to play his part perfectly. And when the time comes, make every shot a killing shot. . . "Johnny Boggs has produced another instant page-turner. . .don't put down the book until you finish it." --Tony Hillerman on Killstraight "Boggs is among the best western writers at work today." --Booklist

Winner of the 2017 J. Anthony Lukas PrizeShortlisted for the 2017 Hurston/Wright Foundation AwardFinalist for the 2017 Helen Bernstein Book Award for Excellence in JournalismLonglisted for the 2017 Andrew Carnegie Medal for Excellence in Non Fiction On an average day in America, seven children and teens will be shot dead. In Another Day in the Death of America, award-winning journalist Gary Younge tells the stories of the lives lost during one such day. It could have been any day, but he chose November 23, 2013. Black, white, and Latino, aged nine to nineteen, they fell at sleepovers, on street corners, in stairwells, and on their own doorsteps. From the rural Midwest to the barrios of Texas, the narrative crisscrosses the country over a period of twenty-four hours to reveal the full human stories behind the gun-violence statistics and the brief mentions in local papers of lives lost. This powerful and moving work puts a human face-a child's face-on the "collateral damage" of gun deaths across the country. This is not a book about gun control, but about what happens in a country where it does not exist. What emerges in these pages is a searing and urgent portrait of youth, family, and firearms in America today.

Burmese Days is George Orwell's first novel, originally published in 1934. Set in British Burma during the waning days of the British empire, when Burma was ruled from Delhi as part of British India, the novel serves as a portrait of the dark side of the British Raj. At the center of the novel is John Flory, trapped within a bigger system that is undermining the better side of human nature. The novel deals with indigenous corruption and imperial bigotry in a society where natives peoples were viewed as interesting, but ultimately inferior. Includes a bibliography and brief bio of the author.

Since the 1970s people have been murdering their neighbours in Northern Ireland. This book is the true account of the small-town violence and terror which lies behind the headlines.

Another conspiracy theory identifies the two men who, operating separately, allegedly shot President Kennedy in the "Crime of the Century." Reprint.

"This book tells how Stanley Kubrick makes films--how he translates his won vision of a story into cinematic terms, finding original ways to use camera angles and camera movement, lighting, composition, depth, and other techniques; and how he edits to achieve jarring juxtapositions, suspense and surprise, a heightened sense of time, and a perfectly crystallized total concept. The book also shows how his films relate to one another. The more than 350 photographs illustrate the visual flow of Paths of Glory, Dr. Strange love, 2001: A Space Odyssey, and A Clockwork Orange, as well as the methods used in Killer's Kiss, The Killing, and Lolita."--back cover.

#1 New York Times bestselling author of American Assassin—now a major motion picture—and “the voice of today’s postmodern thriller generation” (The Providence Journal) delivers a pulse-pounding novel starring a young, hungry, and lethal operative named Mitch Rapp as he begins his career as a CIA superagent. In the year since the CIA fully trained and then unleashed him, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. His latest target takes him to Paris but in the split second it takes the bullet to leave Rapp’s silenced pistol, everything changes. The tables have turned, and Rapp finds himself brutally outnumbered. In the same instant, he has become a liability. Operating on his own and outside the control of his handlers, it soon becomes clear that nothing is more dangerous than a wounded and cornered man. Because if anyone can survive and come out on top, no matter whom he must kill to get there, it’s Mitch Rapp. The stakes are higher than they’ve ever been as Mitch Rapp embarks on the journey that will turn him into America’s most deadly asset. The non-stop and realistic action proves that “Flynn is a master—maybe the master—of writing thriller novels in which the pages seem to turn themselves” (Bookreporter).