On the evening of 17 October 1678 the body of Sir Edmund Berry Godfrey, a Westminster Justice of the Peace, was discovered in a ditch near Primrose Hill. He had been pierced with his own sword and apparently strangled. His death lead to a widespread popular hysteria about a "Popish Plot". Although a magistrate famous for his fierce rectitude, Godfrey was closely involved with the alternative healer and "stroker", Valentine Greatrakes and also played a part in many plots and and intrigues centred on the uninhibited court of Charles II and Restoration London. His death brought to a head a series of rumours about Catholic plots to kill Charles II and install his brother, James, Duke of York, on the throne. Identified as the victim of a Jesuit hit-man, Godfrey became overnight a Protestant martyr and cult figure.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

*Now a Hulu limited series starring Lily Gladstone, Riley Keough, and Archie Panjabi!* “A swift, harrowing classic perfect for these unnerving times.” —Jenny Offill, author of Dept. of Speculation One moonlit night, fourteen-year-old Reena Virk went to join friends at a party and never returned home. In this “tour de force of crime reportage” (Kirkus Reviews), acclaimed author Rebecca Godfrey takes us into the hidden world of the seven teenage girls—and boy—accused of a savage murder. As she follows the investigation and trials, Godfrey reveals the startling truth about the unlikely killers. Laced with lyricism and insight, Under the Bridge is an unforgettable look at a haunting modern tragedy.

October 1678. Sir Edmund Berry Godfrey, respected London wood monger and Court Justice, sets out from his house, early one foggy morning, in his second-best coat. Then he vanishes. Six days later, his body is discovered in a ditch near Primrose Hill. He has been severely beaten, strangled and stabbed through the chest - killed three times, in fact. There's no doubt somebody wanted him dead. The cash in his pockets however is still there. And, in spite of the wet weather and muddy roads, his clothes are dry and his shoes are spotlessly clean. People are quick to connect his killing with the role Godfrey has played in exposing a Catholic plot to kill the King. His name is, after all, an anagram of 'dy'd by Rome's reveng'd fury'. Parliament, whipped into a frenzy by the conspirator Titus Oates, demands a suitable perpetrator is found. But it soon becomes clear that Godfrey had not merely offended the Catholics. And he had, some weeks before, predicted his own death with uncanny accuracy. Magistrate John Grey is summoned from his Essex village to investigate an increasingly inexplicable crime and to prevent some innocent men from being hanged as a regrettable political necessity. Praise for L.C. Tyler 'Len Tyler writes with great charm and wit . . . made me laugh out loud' Susanna Gregory 'I was seduced from John Grey's first scene' Ann Cleeves 'Tyler juggles his characters, story, wit and clever one liners with perfect balance' The Times 'A dizzying whirl of plot and counterplot' Guardian 'Unusually accomplished' Helen Dunmore 'A cracking pace, lively dialogue, wickedly witty one-liners salted with sophistication . . . Why would we not want more of John Grey?' The Bookbag