Now the subject of the Discovery+ series Children of the Snow, a cold case murder investigation is cracked open by “a powerful, confident voice in the new true crime memoir genre” (James Renner, author of True Crime Addict). Four children were abducted and murdered outside of Detroit during the winters of 1976 and 1977, their bodies eventually dumped in snow banks around the city. J. Reuben Appelman was only six years old when the murders began and even evaded an abduction attempt during that same period, fueling a lifelong obsession with what became known as the Oakland County Child Killings. Autopsies showed that the victims had been fed while in captivity, reportedly held with care. And yet, with equal care, their bodies had allegedly been groomed post-mortem, scrubbed-free of evidence that might link to a killer. There were few credible leads, and equally few credible suspects. That’s what the cops had passed down to the press, and that’s what the city of Detroit, and Appelman, had come to believe. When the abductions mysteriously stopped, a task force operating on one of the largest manhunt budgets in history shut down without an arrest. Although no more murders occurred, Detroit remained haunted. Eerily overlaid upon the author’s own decades-old history with violence, The Kill Jar tells the gripping story of Appelman’s ten-year investigation into buried leads, apparent police cover-ups, con men, child pornography rings, and high-level corruption saturating Detroit’s most notorious serial killer case. “Always deft, often sublime, Appelman uses his investigation to draw us into his personal journey through darkness, to light and life” (Chip Johannessen, producer of Dexter).

A true crime/narrative nonfiction account of one the youngest Americans ever convicted of murder and sentenced to death. An important, powerful book.

"I try not to think about it, what I did to that boy." Seventeen-year-old Kenna Marsden has a secret. She's haunted by a violent tragedy she can't explain. Kenna's past has kept people-even her own mother-at a distance for years. Just when she finds a friend who loves her and life begins to improve, she's plunged into a new nightmare: her mom and twin sister are attacked, and the dark powers Kenna has struggled to suppress awaken with a vengeance. On the heels of the assault, Kenna is exiled to a nearby commune, known as Eclipse, to live with a relative she never knew she had. There, she discovers an extraordinary new way of life as she learns who she really is, and the wonders she's capable of. For the first time, she starts to feel like she belongs somewhere; that her terrible secret makes her beautiful and strong, not dangerous. But the longer she stays at Eclipse, the more she senses there is something menacing lurking underneath its idyllic veneer. And she begins to suspect that her new family may have sinister plans for her...

In her stunning debut, Nicola Monaghan lays bare the gritty underbelly of life in Nottingham, England. Very early on, Kerrie-Ann begins to dream of the world beyond the rough council estate where she lives. Her father is nowhere to be found, her mother is a junkie, and she is left to care for her little brother. Clever, brave, and frighteningly independent, Kerrie-Ann has an unbreakable will to survive. She befriends her eccentric, elderly neighbor, who teaches her about butterflies, the Amazon, and life outside of her tough neighborhood. But even as Kerrie-Ann dreams of a better life she becomes further entangled in the cycles of violence and drugs that rule the estate. Brilliant, brutal, and tender, The Killing Jar introduces a brave new voice in fiction. Nicola Monaghan's devastating prose tells an unforgettable story of violence, love, and hope.

The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).

The accused: Thirteen-year-old Derek King and his twelve-year-old brother, Alex, Sunday school students with choirboy looks. The victim: Their own father. After midnight on November 26, 2001, someone bludgeoned Terry King to death while he slept, and set his Florida home afire. By the time the firefighters extinguished the blaze, King’s sons, Alex, twelve, and Derek, thirteen, were at the home of their forty-year-old friend, Ricky Chavis, a convicted child-molester. By the next afternoon, following confessions, both boys were charged as adults in their father’s slaying. Chavis was tried separately for the same crime—incredibly by the same attorney who would prosecute Alex and Derek, and argue two contradictory theories. When Alex divulged his sexual relationship with Chavis, the trial took a sensational turn. So did Alex and Derek, who recanted their confession and blamed Chavis to no avail. A jury convicted the boys of second-degree murder, but the judge threw the verdict out. Chavis was acquitted. But the case wasn’t over. As more disturbing revelations came to light, as criminal motives became more complex, and as the line between guilt and innocence was crossed, a stunned nation watched in disbelief to learn the ultimate fate of the . . . Angels of Death.

The grandson and great-grandson of Chicago police officers, Chicago Police Detective James Sherlock was CPD through-and-through. His career had seen its share of twists and turns, from his time working undercover to thwart robberies on Chicago's L trains, to his side gig working security at The Jerry Springer Show, to his years as a homicide detective. He thought he had seen it all. But on this day, he was at the records center to see the case file for the murder of John Hughes, who was seventeen years old when he was gunned down in a park on Chicago's Southwest Side on May 15, 1976. The case had haunted many in the department for years and its threads led everywhere: Police corruption. Hints of the influence of the Chicago Outfit. A crooked judge. Even the belief that the cover-up extended to &“hizzoner&” himself—legendary Chicago Mayor Richard J. Daley. Sherlock, expecting to retire within a year, had a dream assignment: working cold cases for the Chicago office of the FBI. And with time for one more big investigation, he had chosen this stubborn case. More than forty years after the Hughes killing, he was hopeful he could finally put the case to rest. Then the records clerk handed Sherlock a thin manila folder. A murder that had roiled the city and had been investigated for years had been reduced to a few reports and photographs. What should have been a massive file with notes and transcripts from dozens of interviews was nowhere to be found. Sherlock could have left the records center without the folder and cruised into retirement, and no one would have noticed. Instead, he tucked the envelope under his arm and carried it outside.