The murdered body of Sorcha the prophetess is discovered following a lavish banquet at the Maguire castle in 16th-century Ireland. In the present day, a dig commences on the land, and not only is a body discovered, but a sheaf of prophecies. Who killed Sorcha? There has been a guesthouse on the Tierney land in County Fermanagh for hundreds of years. Now Tierney’s Hotel is faced with a development that will block the hotel’s best feature, its view of Enniskillen Castle. But the project can be stopped if there are important historical artifacts buried on the property. Enter the archaeologists. Mick’s ancestor, Brigid Tierney, ran the guesthouse in the late 1500s. We see Brigid and Shane and their children at a lavish banquet at the castle, home of the ruling family, the Maguires. The wine and ale flow freely, the harpist plays, the bard recites the Maguires’ heroic deeds. But one woman has a sense of foreboding. Sorcha the prophetess sees harrowing times ahead. The Tudors of England are determined to complete their brutal conquest of Ireland. The morning after the banquet, Sorcha is found dead on a bed of oak leaves. And Shane is accused of the killing. His lawyer, Terence, conducts his defence on the hilltop that constitutes the court in 1595. Ireland has had a complex and at times woeful history, and we see that history being played out in the lives of the Tierneys, past and present. In 2018, the dig commences on Mick Tierney’s land. Historical artifacts? Yes. But also a sheaf of prophecies. And a body ― a bogman ― four hundred years old.

“In my fourteenth year the influenza infected my whole world. . . . Seems as though just as the Great War came to a close, the folks of Downeast Maine set to fighting a war of their own.” Born into an artistic and eccentric family, Lyza laments that her only talent is carving letters into wood. At least, that is, until the devastating loss of her mother to influenza during the pandemic of 1918. The illness has settled on their small coastal town in Maine, and the funeral marches pass Lyza’s house almost daily. When her unconventional father begins to prepare for the return of his dead wife, Lyza is the only one to protect him from being committed to a nearby work farm. Awash with grief and longing for her mother, Lyza journeys into the thin territory that divides the living from the dead. Relying on her courage and an undiscovered talent, Lyza must save her father and find her own path. From the celebrated author of Worth, this is a powerful story of love that persists beyond the grave.

"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--

Feminist perspectives on Irish literature

Young Gabe's is a story of heartache and jubilation. He's a child slave freed after the Civil War. He sets off to reunite himself with his mother who was sold before the war's end. "Come morning, the folks take to the road again, singing songs, telling stories, and dream-talking of the lives they're gonna live in freedom. And I follow, keeping my eyes open for my mama. Days pass into weeks, and one gray evening as Mr. Dark laid down his coat, I see a woman with a yellow scarf 'round her neck as bright as a star. I run up to grab her hand, saying, Mama?" Gabe's odyssey in search of his mother has an epic American quality, and Keith Shepherd's illustrations—influenced deeply by the narrative work of Thomas Hart Benton—fervently portray the struggle in Gabe's heroic quest. Selected as a 2012 Skipping Stones Honor Book and for the 2012 IRA Teacher's Choices Reading List. A. LaFaye hopes Walking Home to Rosie Lee will honor all those African American families who struggled to reunite at the end of the Civil War and will pay her respects to those who banded together through the long struggle for freedom. She is the author of the Scott O'Dell Award-winning novel Worth and lives in Tennessee with her daughter Adia. Keith Shepherd is a painter, graphic designer, and educator working out of Kansas City, MO. His painting "Sunday Best" is part of the Negro Leagues Baseball Museum's permanent collection. He describes his work as being "motivated by family, religion, history, and music."

In a world where fantasy is reality, you ARE the dragon.

Intervening Spaces examines the interconnectedness between bodies, time and space - the oscillating and at times political impact that occurs when bodies and space engage in non-conventional ways. Bodies intervene with space, creating place. Likewise, space can reconceptualise notions of the subject-body. Such respatialisation does not occur in a temporal vacuum. The moment can be more significant than a millennia in producing new ways to see corporeal connections with space. Drawing on theorists as diverse as Foucault, Deleuze, Guattari, Heidegger, Merleau-Ponty, Lefebvre and Grosz, temporal and spatial dichotomies are dissolved, disrupted and interrupted via interventions—revealing new ways of inhabiting space. The volume crosses disciplines contributing to the fields of Sociology, Literature, Performance Arts, Visual Arts, Architecture and Urban Design. Contributors are Burcu Baykan, Pelin Dursun Çebi, Michelle Collins, Christobel Kelly, Anthi Kosma, Ana Carolina Lima e Ferreira, Katerina Mojanchevska, Clementine Monro, Katsuhiko Muramoto, Nycole Prowse, Shelley Smith, Nicolai Steinø and İklim Topaloğlu.