The tales of the Mahabharata are updated in this new series from Campfire. Time and again the timeless nature of the greatest stories ever told have been highlighted by readers and fans. This space age rendering of these epic tales really proves the point. The Kauravas and Pandavas go high tech as their forces clash in the fiercest battle the universe has ever known. In this volume we see the real puppet master behind the great war, Shakuni, the man who manoeuvred both sides into hating each other in order to satisfy a lifelong thirst for revenge against the Empire. The greatest empire the universe has ever known. Ever expanding and seemingly impossible to resist. One man makes it his life-long mission to see that empire crumble into dust. Taken from his home as a child, forced to watch his father and loved ones starve to death before his very eyes, Shakuni vows to make those responsible pay for their actions. Slowly but surely he plots the destruction of everything they hold dear. Revenge will be his, at any cost, even if it means hurting those he cared for, because vengeance has no room for compassion. It is time to see how one man turned the Royal Family of the Kaurava Empire against each other and caused the spark that ignited the greatest civil war ever known. Each volume in the series is a stand-alone adventure that will mesmerize and thrill readers everywhere.

The tales of the Mahabharata are updated in this new series from Campfire. Time and again the timeless nature of the greatest stories ever told have been highlighted by readers and fans. This space age rendering of these epic tales really proves the point. The Kauravas and Pandavas go high tech as their forces clash in the fiercest battle the universe has ever known. Each volume in the series is a stand-alone adventure that will mesmerize and thrill readers everywhere.The Mahabharata goes science fiction in this graphic retelling of the war between the Pandavas and the Kauravas. Ashwatthama, a reluctant warrior commits the ultimate crime and must pay for it by wandering the universe, friendless and alone for all eternity. A graphic reminder that war can brutalize even the best of men and that revenge is seldom worth the price. Cursed to wander the universe, friendless, alone and in pain, Ashwatthama has eternity to ponder his crimes and to yearn for forgiveness. Can he escape his terrible past and find peace or will he be doomed to live forever? In the second volume of Campfire's Kaurava Empire series we focus on the story of Ashwatthama, the son of great guru and weapons master Drona, teacher of the Kauravas and Pandavas. When war comes to the empire, Ashwatthama is reluctant to choose sides as he is friends with members of both the Kaurava and Pandava families, but in the end he sides with his father, following him into battle against the Pandavas. When Drona is killed through trickery on the battlefield, Ashwatthama swears vengeance and his revenge is bloody and terrible.

It is one of the first books of its kind, one that investigates the role of mythology, technology and politics/ideology/materiality in Indian Science Fiction. Reads Science Fiction as existing in a flux generated by socio-historical forces, technological advances, and a mythological tradition, which leads to a more holistic understanding of Science Fiction and the society in which it is produced and consumed. It connects the world of the Science fiction text with the world(s) of the writer/reader, which generates Suvinian ‘cognitive estrangement’. It hybridises viewpoints from across the world, whether creative (i.e. it borrows from author interviews given to the writer) or critical perspectives (i.e. it transposes and fuses globally established theories/frameworks on Science Fiction).

Many Mahābhāratas is an introduction to the spectacular and long-lived diversity of Mahābhārata literature in South Asia. This diversity begins with the Sanskrit Mahābhārata, an early epic poem that narrates the events of a catastrophic fratricidal war. Along the way, it draws in nearly everything else in Hindu mythology, philosophy, and story literature. The magnitude of its scope and the relentless complexity of its worldview primed the Mahābhārata for uncountable tellings in South Asia and beyond. For two thousand years, the instinctive approach to the Mahābhārata has been not to consume it but to create it anew. The many Mahābhāratas of this book come from the first century to the twenty-first. They are composed in nine different languages—Apabhramsha, Bengali, English, Hindi, Kannada, Malayalam, Sanskrit, Tamil, and Telugu. Early chapters illuminate themes of retelling within the Sanskrit Mahābhārata itself, demonstrating that the story's propensity for regeneration emerges from within. The majority of the book, however, reaches far beyond the Sanskrit epic. Readers dive into classical dramas, premodern vernacular poems, regional performance traditions, commentaries, graphic novels, political essays, novels, and contemporary theater productions—all of them Mahābhāratas. Because of its historical and linguistic breadth, its commitment to primary sources, and its exploration of multiplicity and diversity as essential features of the Mahābhārata's long life in South Asia, Many Mahābhāratas constitutes a major contribution to the study of South Asian literature and offers a landmark view of the field of Mahābhārata studies.

The tales of the Mahabharata are updated in this new series from Campfire. Time and again the timeless nature of the greatest stories ever told have been highlighted by readers and fans. This space age rendering of these epic tales really proves the point. The Kauravas and Pandavas go high tech as their forces clash in the fiercest battle the universe has ever known. Told through the eyes of the Pandava Prince, Abhimanyu, and the Kaurava Prince who ultimately kills him, this tale of teenage heroism, sacrifice and adventure has been thrilling readers for centuries. As civil war tears the Empire apart, the Kauravas seek to stamp out the revolution headed by their cousins the Pandavas. But in civil war there are no victors, only victims. Join us on the battlefield of Kurukshetra for the ultimate battle as the sixteen year-old Abhimanyu risks all to save his family from destruction.

THE MAHABHARATA ENDURES AS THE GREAT EPIC OF INDIA. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the ÔunconquerableÕ Kauravas, who were decimated to the last man. At the heart of IndiaÕs most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen Ð Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. And in the wings: Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean. Ekalavya, a young Nishada, yearns to break free of caste restrictions and become a warrior. Karna, son of a humble charioteer, travels to the South to study under the foremost Guru of the day and become the greatest archer in the land. Balarama, the charismatic leader of the Yadavas, dreams of building the perfect city by the sea and seeing his people prosperous and proud once more. Takshaka, guerilla leader of the Nagas, foments a revolution by the downtrodden as he lies in wait in the jungles of India, where survival is the only dharma. Jara, the beggar, and his blind dog Dharma, walk the dusty streets of India, witness to people and events far greater than they, as the Pandavas and the Kauravas confront their searing destinies. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny Ð or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. And the dice fallsÉ