In 1944, C. G. Jung experienced a series of visions which he later described as "the most tremendous things I have ever experienced." Central to these visions was the "mystic marriage as it appears in the Kabbalistic tradition", and Jung’s experience of himself as "Rabbi Simon ben Jochai," the presumed author of the sacred Kabbalistic text, the Zohar. Kabbalistic Visions explores Jung’s 1944 Kabbalistic visions, the impact of Jewish mysticism on Jungian psychology, Jung’s archetypal interpretation of Kabbalistic symbolism, and his claim late in life that a Hasidic rabbi, the Maggid of Mezhirech, anticipated his entire psychology. This book places Jung’s encounter with the Kabbalah in the context of the earlier visions and meditations of his Red Book, his abiding interests in Gnosticism and alchemy, and what many regard to be his Anti-Semitism and flirtation with National Socialism. Kabbalistic Visions is the first full-length study of Jung and Jewish mysticism in any language and the first book to present a comprehensive Jungian/archetypal interpretation of Kabbalistic symbolism.

This book is an esoteric work of three parts that may shed light on our true divine nature and our direct relationship with the Divine Archetype, the Universe, and Humanity, as well as our substantial duty toward the existence as a whole, our Unitas state. It delves high and deep into the Initiatic Secrets of the original Phoenician Tradition of the Kabbala that was first ever accepted by Enoch, the seer of visions on Mt. Hermon in the ancient land of Phoenicia, and reveals its essential differences with the Chaldean Kabbala incorporated by Jewish Kabbalists.

In the Bible many dreams and visions forecast the distant future and the coming of the Messiah. Dreams and visions are part and parcel of the experience of the prophet. Yet, more than prophets have experienced them. The Biblical Daniel was one such seer. What he saw and recorded in his book has mystified readers and scholars for many centuries. Once the Hebrew book of Daniel was embraced in Gentile hands, many of its hidden teachings became out of reach to those not trained in the Biblical way of prophetic reception (Kabbalah). The secrets concealed in Daniel have thus remain hidden, until now.This book discusses the path and way of the Biblical prophet and seer; how they were trained to understand the symbolic metaphorical language of picture imagery that is the form and essence of every dream and vision.This book brings to the English-speaking audience exposure of the ancient Biblical prophetic ways, and even gives guidance how some of these ancient practices may still be used today.Going beyond Daniel there are many other Biblical and later Judaic and Kabbalistic teachings about the coming of the Messiah. Some of these issues, such as Gog and Magog, are also addressed here.As a special bonus, there is included an essay that many might find to be controversial. The topic is: Can a Torah-faithful, Orthodox Jew believe that Jesus was (or will be) the Messiah of Israel? Written from the perspective of Torah Judaism, this essay addresses the topic in a non-polemic manner, in the hope that it might serve as a bridge of understanding between Jewish and Christian communities.All in all, this book reveals secrets, both ancient and modern, that once you have been enlightened by them, you will never look at Biblical prophecy or Kabbalistic revelations in the same light of simplicity again.Prepare to see what you have not seen before!

Symbols of the Kabbalah: Philosophical and Psychological Perspectives provides a philosophical and psychological interpretation of the major symbols of the theosophical Kabbalah. It shows that the Kabbalah, particularly as it is expressed in the school of Isaac Luria, provides a coherent and comprehensive account of the cosmos, and humanity's role within it, that is intellectually, morally, and spiritually significant for contemporary life.

Italian artist Luigi Scapini's lavish paintings recreate 15th century Italy in this gold-accented tarot deck. The Major Arcana and court cards have gold backgrounds in the manner of fifteenth-century European decks. Both the Major and Minor Arcana include full scenes. In the Minors, symmetrical arrangements of the suit symbols provide composition around which the scenes are arranged.The depth of Scapini's art history expertise is evident in his lush settings and period costumes. Interesting details, and sometimes-humorous references, are cleverly imbedded in the artwork, with many of the cards depicting historical figures, for example, Rasputin as the Knight of Cups. Readers will easily relate to the universal situations revealed in the cards, for pleasurable and insightful readings.

Kabbalistic Metaphors: Jewish Mystical Themes in Ancient and Modern Thought places the major symbols of the theosophical Kabbalah into a dialogue with several systems of ancient and modern thought, including Indian Philosophy, Platonism, Gnosticism, and the works of Hegel, Freud, and Jung. The author shows how the Kabbalah organizes a series of ancient ideas regarding God, cosmos, and humanity into a basic metaphor that itself reappears in various guises in much of modern philosophy and psychology. Recognition of the parallels between the Kabbalah and modern philosophy and psychology provides us with valuable insight into both the Kabbalah and modern thought, and helps pave the way for a new Kabbalah, one that is spiritually and intellectually relevant to contemporary man.

Judaic scholar Elliot Wolfson's triple award-winning study examines Jewish mystical texts from late antiquity, pre-kabbalistic sources from the 10th to the 12th centuries, and 12th- and 13th-century kabbalistic literature, describing Jewish mysticism and the overwhelmingly visual nature of religious experience in Jewish spirituality from antiquity through the late Middle Ages.