The Julius Cahn-Gus Hill Theatrical Guide and Moving Picture Directory
Title | The Julius Cahn-Gus Hill Theatrical Guide and Moving Picture Directory PDF eBook |
Author | |
Publisher | |
Pages | 872 |
Release | 1903 |
Genre | Theaters |
ISBN |
Theatre History Studies 2007, Vol. 27
Title | Theatre History Studies 2007, Vol. 27 PDF eBook |
Author | Theatre History Studies |
Publisher | University of Alabama Press |
Pages | 190 |
Release | 2007-09-30 |
Genre | Performing Arts |
ISBN | 0817354409 |
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
The Papers of Will Rogers: From vaudeville to Broadway : September 1908-August 1915
Title | The Papers of Will Rogers: From vaudeville to Broadway : September 1908-August 1915 PDF eBook |
Author | Will Rogers |
Publisher | University of Oklahoma Press |
Pages | 556 |
Release | 2001-05-01 |
Genre | Biography & Autobiography |
ISBN | 9780806133157 |
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v
Title | Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v PDF eBook |
Author | New York Public Library. Research Libraries |
Publisher | |
Pages | 740 |
Release | 1967 |
Genre | Drama |
ISBN |
T.O.B.A. Time
Title | T.O.B.A. Time PDF eBook |
Author | Michelle R. Scott |
Publisher | University of Illinois Press |
Pages | 207 |
Release | 2023-02-28 |
Genre | History |
ISBN | 0252054032 |
Black vaudevillians and entertainers joked that T.O.B.A. stood for “tough on black artists.” But the Theater Owner’s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott’s institutional history details T.O.B.A.’s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920–1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.’s decline during the Great Depression. Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era.
Ruskin, the Theatre and Victorian Visual Culture
Title | Ruskin, the Theatre and Victorian Visual Culture PDF eBook |
Author | A. Heinrich |
Publisher | Springer |
Pages | 252 |
Release | 2009-04-08 |
Genre | Performing Arts |
ISBN | 0230236790 |
This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression.
Stagestruck Filmmaker
Title | Stagestruck Filmmaker PDF eBook |
Author | David Mayer |
Publisher | University of Iowa Press |
Pages | 311 |
Release | 2009-03-01 |
Genre | Performing Arts |
ISBN | 1587298406 |
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.