"In this modern edition, the long-separated Cambridgeshire and Suffolk entries are published together for the first time, emphasising Dowsing's extensive coverage of the region. A detailed commentary accompanies the Journal, based on an examination of each of the churches he visited. Full use has been made of contemporary records (including those of the Cambridge colleges) to fill out the details of Dowsing's diary entries; maps and photographs graphically illustrate the range and scale of his activities.".

Reprint of the original, first published in 1840.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

Julie Spraggon offers a detailed analysis of Puritan iconoclasm in England during the 1640s, which led to a resurgence of image breaking a century after the break with Rome. She examines parliamentary legislation, its enforcement & the parallel action undertaken by the army to rid the land of superstition.

This comprehensive volume on dowsing and divining - from the twig and the pendulum to motorscopes and bare hands - traces the story of these fascinating and enigmatic phenomena from its origins in the world of fairy tales and mythology to recent theories that the enigma can be explained in terms of present-day psychology. The force present in the act of dowsing and divining can be compared to the sensitivity of men and women suffering from rheumatism who feel, in advance, changes of weather. Theories that have been brought forward to explain its presence include suggestion, radiation, colour, the existence of a sixth sense, and changes in the earth's magnetic field. As there are many possible explanations there are also many types and applications of dowsing and divining: map dowsing; being eggs; radiesthesia; the diagnosis and cure of disease; locating missing persons; forces, fields and rays; and detecting thieves. The author tells of dowsers past and present: Robert Leftwich who located abandoned tunnels and other underground hazards; Major Harold Spary who dowsed for the Royal Aircraft Establishment and the Royal Engineers during World War II; William Young who charged £200 a day in 1971 for dowsing; Tom Lethbridge who investigated Viking graves on Lundy Island; Henry Gross who discovered Bermuda's first natural wells. Even today large building and contracting firms employ resident site engineers who use sophisticated sets of divining rods. The book introduces us, in lucid and readable style, to the fascinating world of dowsing and divining, and gives the reader full instructions on how to attempt to become one of this international community.

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.