In The Journal of Mary Hervey Russell, Storm Jameson has chosen a form which enables her to use a rich supply both of public occurrences and personal knowledge and experience for the exercise of that imaginative observation which is characteristic of her best work. Whether she describes a chance meeting in Paris with a new French poet, or the reaction of delegates at the international conference of authors on the very eve of war, or her association with innumerable refugee intellectuals in London before and after Dunkirk; whether she is drawing one of her many astute comparisons between her own compatriots and some other people - generally the French - or comforting the wife of an Austrian professor just swept into internment, or bearing with the cynicism of some diplomat at the luncheon, she brings before us a panorama rather than a scene or an incident. But the real human interest of the book is the thread of her own life running through it, revealing in little intimate flashes, sometimes a reminiscence of childhood, sometimes a delicately drawn portrait, like that of her father, the old sea captain, and throughout the story the visionary presence of the mother who for her has never ceased to live.

Elizabeth Maslen's excellent biography offers a fresh look at the intersection of Jameson's life and work and the way these intersected with figures from Rebecca West to Arthur Koeslter to Czeslaw Milosz.

Death in war matters. It matters to the individual, threatened with their own death, or the death of loved ones. It matters to groups and communities who have to find ways to manage death, to support the bereaved and to dispose of bodies amidst the confusion of conflict. It matters to the state, which has to find ways of coping with mass death that convey a sense of gratitude and respect for the sacrifice of both the victims of war, and those that mourn in their wake. This social and cultural history of Britain in the Second World War places death at the heart of our understanding of the British experience of conflict. Drawing on a range of material, Dying for the nation demonstrates just how much death matters in wartime and examines the experience, management and memory of death. The book will appeal to anyone with an interest in the social and cultural history of Britain in the Second World War.

The last hundred years have been an era of unprecedented displacements: the accelerated drift of rural populations to the metropolis, the spread of these cities into successive empires, and the resulting diasporas that have forged the modern United States and any number of smaller nations. These processes have fostered a poetry of exile and expatriation intimately bound up with the experience and culture of modernity. Poetry and Displacement is a thought-provoking and challenging examination of globalized displacement in the work of some of our most critically-acclaimed poets, including Christopher Middleton, Philip Larkin, and Derek Walcott.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.