Keeping up with the Joneses isn’t all it’s made out to be. In this intriguing novel full of drama and plot twists, one family tries to hold on to their “perfect” life before their secrets, lies, and scandals are exposed. On the outside, the Joneses seem like the ideal family: Royce Jones, a funeral home mogul, and his wife, Lexi, are parents to Charity, Hope, and Lovie—and everybody wants to be them. But it’s true that money can’t buy happiness, and the Joneses are harboring secrets that can’t stay hidden forever… The funeral home business has been slow lately, and Royce is in serious trouble. When Lexi learns of their financial strain, she vows to hold on to her status by any means necessary—even if it means going behind her husband’s back. Lovie, seeing his beloved mother so stressed, will do whatever it takes to put a smile back on her face. And sibling rivalries tense up when Charity and Hope both fall for the same guy. On top of this, they all have secrets they’re hiding not only from people outside their family—but from each other. It’s only a matter of time before the Joneses’ perfect life goes spinning out of control and they’re revealed for who they truly are.

Messages from the media and pressures from peers all seem to conspire against raising children with strong Christian values. As kids grow older the potential for things to go wrong just seems to multiply. How can parents nurture their families with confidence, without the fear that they are making some big mistake? Tim Stafford sets you free from worrying about the Joneses or anyone else. He shows you how to build core Christian values into your children in a way that fits who God made your family to be, unique and different from every other family. In this practical and freeing book, you'll find: Why your family doesn't have to be like other families How to build core values into your children that will last a lifetime How you can find the patterns that fit who you and your family are Ways to build family life that kids enjoy and that parents find satisfying Why there's more than one, good, right way to be a family How to build grace and freedom into your family life while still providing structure and security Release from the fear that you are parenting the wrong way Stafford identifies thirteen core biblical values and describes a wide variety of ways to build these into families. He explores the many options that are available for parents to help their children develop in truthfulness, contentment, hard work, joy, rest, forgiveness and putting God first. Some books suggest there is only one right way to parent, no matter who you are. In Never Mind the Joneses Stafford frees you to explore the ways God has provided that fit your family best.

Stop comparing and despairing—and discover an easier, happier life: “I encourage you to read this book” (Bob Buford, author of Halftime). Most of us have heard the expression “keeping up with the Joneses.” They’re supposed to be the perfect, successful American family that everyone wants to measure up to—but no one seems to have actually met them. The authors of this book have, though—and they’d like to introduce them to you. You might be surprised. Too often, we measure success by our accomplishments or the stuff we’ve accumulated. But life should be about so much more, like discovering who you are, why you are here, and the legacy you create. Think of the possibilities if you started living your life more intentionally, doing more of the things that matter most—and less of everything else. Could life be less hectic? What if you spent more time doing things today that could lead to a better tomorrow, instead of just trying to survive each day? What if you could live more simply, yet more fully? Who Are the Joneses Anyway? asks relevant questions and, with practical steps and resources, encourages you to be brave enough to seek the answers.

Spinning out of the pages of The Resistance, The Joneses focuses on a suburban family with a big secret: In the global pandemic known as the "Great Death,” mother, father, sister and brother were all transformed into something superhuman. While the world embraces fascism born of fear, the Joneses realize they face grave consequences if they are exposed as “Reborns.” Do they keep a low profile and hide in plain sight…or use their powers for good and risk exposure?

In this short but powerful book of interlinked essays, noted cultural critic Vijay Prashad examines the contradictions of the American economy. Prashad assesses a range of related issues: the oft-vaunted US economy, propped up by the rising debt of poor and middle-class workers; welfare policies that punish those attempting to escape the grip of debt and poverty; and a prison industry that regulates and houses the unemployed, as well as a reserve army of laborers. In Keeping Up with the Dow Joneses, Prashad argues that the advent of mass production and advertising has converted citizens into consumers whose desires are captured by the phrase "keeping up with the Joneses." Yet, as Prashad so persuasively demonstrates, keeping up with the Joneses is a trap: Americans have gone into massive consumer debt, with the poorest forty percent of the public borrowing money to compensate for stagnant incomes, not to spend on luxuries. Only the richest twenty percent borrow money to invest in stocks. Not surprisingly, in the last few years, income and wealth differentials have risen to record highs. By making crystal-clear connections between the economy, welfare reform and the profit-driven prison industrial complex, Prashad offers a vision for a sustainable and vital anti-imperialist movement. Vijay Prashad is Associate Professor and Director of International Studies, Trinity College. He is the author of several books including Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity, Fat Cats and Running Dogs and The Karma of Brown Folk. Each was included in the Village Voice’s "25 Best Books of the Year" list.

"[A] tender, funny, terrific new play. . . . Mr. Eno's voice, which teases out the poetry in the pedestrian and finds glinting humor in the static that infuses our faltering efforts to communicate, is as distinctive as any American playwright's today."—The New York Times "Weird and wonderful . . . Eno's familiar sudden-shifting between profound and playful verbiage is delightfully disarming and sometimes awfully funny."—Variety “Plays as funny and moving, as wonderful and weird as The Realistic Joneses… do not appear often on Broadway. Or ever, really…. Mr. Eno’s voice may be the most singular of his generation, but it’s humane, literate and slyly hilarious…. For all the sadness woven into its fabric, The Realistic Joneses brought me a pleasurable rush virtually unmatched by anything I’ve seen this season.” – The New York Times “As usual, Eno’s dialogue is a marvel of compression and tonal control, trivial chitchat flipping into cosmic profundity with striking ease…. There’s much to savor: the dry but meaningful banter, the joy of humans sharing time and space, battling the darkness with a joke or silence. Life in Enoland isn’t what you’d call realistic—it’s more real than that.” – Time Out New York “[An] elliptical, funny, dark and strangely moving new play…. Eno is a writer with heart and compassion.” – Chicago Tribune “Eno's first-ever commercial foray ups the creative ante in a Broadway climate that can be resistant to new voices…. [A] very fine play where laughter exists a heartbeat, or heartbreak, away from tears.” – The Telegraph Meet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who have more in common than their identical last names. Boasting the playwright's quintessential existential quirkiness, this new comedy finds poetry in the banal while humorously exploring our ever-floundering efforts at communication. Listed as one of New York Times's Best Plays of 2012, The Realistic Joneses received its Broadway premiere in spring 2014, starring Toni Collete, Michael C. Hall, Tracy Letts and Marisa Tomei, and opening to rave reviews. Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission, and Gnit, an adaptation of Henrik Ibsen's Peer Gynt. His many awards include the PEN/Laura Pels International Foundation for Theatre Award, the Horton Foote Prize, and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.

“There's no writer alive like de Botton” (Chicago Tribune), and now this internationally heralded author turns his attention to the insatiable human quest for status—a quest that has less to do with material comfort than love. Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents explores the notion that our pursuit of status is actually a pursuit of love, ranging through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.