Who are the jokers? The jokers are the government, and the biggest joker of all is the governor, a bug-eyed, strutting, rapacious character of unequaled incompetence who presides over the nameless Middle Eastern city where this effervescent comedy by Albert Cossery is set. The jokers are also the revolutionaries, no less bumbling and no less infatuated with the trappings of power than the government they oppose. And the jokers are Karim, Omar, Heykal, Urfy, and their friends, free spirits who see the other jokers for the jokers they are and have cooked up a sophisticated and, most important, foolproof plan to enliven public life with a dash of subversive humor. The joke is on them all.

When Joker and Harley Quinn get the Gotham City Police eating out of the palms of their hands, only Batman and Batgirl can serve up sweet justice!

Some joker is causing trouble for Danner & Bishop, Chicago’s most exclusive department store, but no one’s laughing. Then Nancy and friends go undercover as store employees to catch the culprit—and find themselves in serious trouble.

Explores the character of the Joker and his significance as the quintessential villain.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

From the author of the bestselling Secret Series comes this funny chapter-book mystery about a third-grade magician and the wisecracking rabbit who is the secret brains behind his act. Eight-year-old Oliver dreams of being a professional magician, even though he has terrible stage fright. And now, his friends Teenie and Bea have gotten him invited to a classmate's birthday party as the paid entertainment! Desperate for help, he visits The Great Zoocheeni's Magic Emporium, but comes away with nothing more than a moth-eaten top hat. Oliver is in for a lucky surprise, though. Inside that top hat hides a wisecracking rabbit named Benny, who agrees to help Oliver with his act. But at the party, Oliver is accused of robbery! He'll need to solve the mystery of the missing robo-cat to clear his name before he and Benny can amaze the crowd with their grand finale.