"A heart-pounding roller coaster ride."—Tami Hoag, #1 New York Times bestselling author of The Boy *A Crime Reads Most Anticipated Book of 2021* A serial killer and his copycat are locked in a violent game of cat and mouse. Can DI Anjelica Henley stop them before it’s too late? On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature—the arrangement of victims’ limbs in puzzle-piece shapes—he decides to take matters into his own hands. As the body count rises, DI Anjelica Henley is faced with an unspeakable new threat. Can she apprehend the copycat killer before Olivier finds a way to get to him first? Or will she herself become the next victim? Drawing on her experience as a criminal attorney, debut novelist Nadine Matheson delivers the page-turning crime novel of the year. Taut, vivid and addictively sinister, The Jigsaw Man will leave you breathless until the very last page.

'Riveting... Everyone should read it' Observer 'Nothing short of sudden death will distract you from The Jigsaw Man' Independent 'Compelling... Fascinating... Britton has done hugely important work that saves lives' Sunday Times ___________________________________________ The award-winning true crime classic. Forensic psychologist Paul Britton asks himself four questions when he is faced with a crime scene: what happened: who is the victim: how was it done, and why? Only when he has the answers to these questions can he address the fifth: who is responsible? What he searches for at the crime scene are not frinerprints, fibres or bloodstains - he looks for the 'mind trace' left behind by those responsible: the psychological characteristics that can help the police to identify and understand the nature of the perpetrator. The Jigsaw Man is not only a detective story involving some of the most high-profile cases of recent years, but also a journey of discovery into the darkest recesses of the human mind to confront the question 'Where does crime come from?'

A BROKEN MAN DOWN ON HIS LUCK... Michael Fox is a homeless man living in a garbage dumpster beneath the Carver Street Bridge in Buffalo, NY. He's bitterly depressed and ready to commit suicide; anything to put an end to his miserable existence. AN OFFER TOO GOOD TO REFUSE... When a mysterious billionaire surgeon offers Michael two million dollars for his right arm, he thinks his luck might be about to change. Little does he know that the surgeon has other plans for him. His arm is only the beginning. Bit by bit other pieces of Michael's body are surgically removed; his natural body stripped away and then reassembled using other harvested parts from thirteen different 'donors'. A MODERN DAY FRANKENSTEIN... Now Fox isn't sure if he's a man or a monster, or whether or not he'd be better off dead. One thing he is sure of though, he's not checking out of this world until he finds a way to make the people responsible pay for turning him into the experimental nightmare known as... The Jigsaw Man. Special Bonus Content: The short story A Simple Matter of Ethics by Gord Rollo

A flight bound for Los Angeles crashes somewhere in the USA, killing everyone on board. Everyone, that is, except one man. As the plane goes down, James Kite inexplicably finds himself transported to a beach in the north of Scotland.Grilled by American agents intent on establishing some connection between him and the downed plane, Kite finds himself incarcerated in a building where the notions of time and space are lost; yet, as the interrogation becomes ever stranger, he begins to realise that their interest in him goes far beyond, and much further back than the plane crash.A surreal story that rips along with the page-turning pace of the very best thrillers, Lindsay's twelfth novel sees his writing take off in an extraordinary new direction, as Kite is thrown into a bizarre, Kafkaesque narrative. From Dubai to Glasgow, from Warsaw to Seattle, Kite inhabits a world haunted by the mysterious Jigsaw Man, a world of coffee and the Beatles, of love and obsession, and a world where only certain people can see the red door... Praise for Douglas Lindsay "This chilling black comedy unfolds at dizzying speed" - Sunday Mirror"The plot, Russian literature fans, is a modern spin on Dostoyevsky's Crime and Punishment. The bloody ending, movie buffs, is pure Reservoir Dogs." - The Mirror"Fantastic plot, unforgettable scenes and plenty of twisted belly laughs." - New Woman"A mad, macabre romp with surreal characters and cutting black humour." - The Sunday Mirror"Gloriously over the top" - Daily Telegraph"Lindsay's burlesque thrills offer no sex, no drugs, no desperation to be cool. Just straightforward adult story; fantastic plot, classic timing and gleeful delight in the grotesque. With more talent than Irvine Welsh could dream of, Lindsay has crafted a macabre masterpiece where content lives up to style." - What's On

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.