This well-illustrated volume, written by experts, is an all-embracing survey of The World of Pompeii, the town of Herculaneum and the many urban and rural villas.

Through a twist of fate, the eruption that destroyed Pompeii in 79 CE also preserved a wealth of evidence about the town, buried for centuries in volcanic ash. Since the town’s excavations in the eighteenth century, archaeologists have disputed the evidence that might attest the presence of Christians in Pompeii before the eruption. Now, Bruce W. Longenecker reviews that evidence, in comparison with other possible evidence of first-century Christian presence elsewhere, and reaches the conclusion that there were indeed Christians living in the doomed town. Illustrated with maps, charts, photographs, and line drawings depicting artifacts from the town, The Crosses of Pompeii presents an elegant case for their presence. Longenecker’s arguments require dramatic changes to our understanding of the early history of Christianity.

There has been considerable debate in recent years in the Anglican Church of Australia about issues of sexual diversity. To this end, two collections of essays have been published. The first, Five Uneasy Pieces, addressed the texts that have frequently been used to argue against the legitimacy of homosexual expression within Christian life and leadership. The book demonstrated clearly that the texts that have been interpreted to slam gay and lesbian people are in fact misused, with little or no regard either for ancient context or for contemporary hermeneutics. However, as all biblical liberationist projects have demonstrated, it is not enough to invalidate oppressive uses of selected texts. The obligation is to establish Scripture's hospitable inclusion of those who have been subjected to such oppression. This is more than a generalized divine invitation to the world; it requires a retrieval of those texts that actively embrace gays and lesbians. Hence, a second collection followed, Pieces of Ease and Grace. This collection broke significant new ground in the way the Bible can contribute to contemporary debates. The collection utilized a range of methodologies and unlocked authentic, significant and original readings that restored the Bible to a pastoral and transformative support for those whose self-identification was not shaped by heterosexual normativity. However, the project has raised significant issues for wider theological analysis, as well as calling for general theological reflection that can address historical, systematic and ecclesial concerns for supportive, inclusive recognition of those who identify as and with gay and lesbian people of faith. A third volume is therefore prepared focusing theological analysis for the benefit of reflection in the Anglican Church and beyond. Given recent developments in Ireland and the potential repercussions in Australian politics, it is clear that the Church needs to harness its thinking and its actions in relation to its place within society.

Waiting to be rediscovered in the British Library is an ancient manuscript of the early Church, copied by an anonymous monk. The manuscript is at least 1,450 years old, possibly dating to the first century. And now, The Lost Gospel provides the first ever translation from Syriac into English of this unique document that tells the inside story of Jesus’ social, family, and political life.The Lost Gospel takes the reader on an unparalleled historical adventure through a paradigm shifting manuscript. What the authors eventually discover is as astounding as it is surprising: the confirmation of Jesus’ marriage to Mary Magdalene; the names of their two children; the towering presence of Mary Magdalene; a previously unknown plot on Jesus’ life (thirteen years prior to the crucifixion); an assassination attempt against Mary Magdalene and their children; Jesus’ connection to political figures at the highest level of the Roman Empire; and a religious movement that antedates that of Paul—the Church of Mary Magdalene.Part historical detective story, part modern adventure, The Lost Gospel reveals secrets that have been hiding in plain sight for millennia.

Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantines reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world.