"Contemporary Jews variously configure their identity, which is no longer necessarily defined by an observance of the Torah and God's commandments. Indeed, the Jews of modernity are no longer exclusively Jewish. They are affiliated with many communities-vocational, professional, political, and cultural-whose interests may not coincide with that of the community of their birth and inherited culture. In Cultural Disjunctions, Paul Mendes-Flohr explores the possibility of a spiritually and intellectually engaged cosmopolitan Jewish identity for our time. To ground this project, he draws on the sociology of knowledge and cultural hermeneutics to reflect on the need to participate in the life of a community so that it enables multiple relations beyond its borders and allows one to balance a commitment to the local and a genuine obligation to the universal. Over the course of six provocative chapters, Mendes-Flohr lays out what this delicate balance can look like for contemporary Jews, both in the Diaspora and in Israel. Mendes-Flohr takes us through the ghettos of twentieth-century Europe, the differences between the personal libraries of traditional and secular Jews, and the role of cultural memory. Ultimately, the author calls for Jews to remain discontent with themselves (as a check on hubris), but also discontent with the social and political order, and to fight for its betterment"--

The story of the prophet Elijah's transformation from fierce zealot to compassionate hero and cherished figure in Jewish tradition "In a series on Jewish Lives, this volume is about the Jewish life--the one that goes on forever. Becoming Elijah blends meticulous scholarship with bold literary and poetic imagination. Don't miss it!"--Arthur Green, author of Judaism for the World "The author's erudite prose and masterful command of history and faith traditions bring his subject to vibrant life. This is an edifying and accessible chronicle of a towering religious figure."--Publishers Weekly (starred review) In the Bible Elijah is a zealous prophet, attacking idolatry and injustice, championing God. He performs miracles, restoring life and calling down fire. When his earthly life ends, he vanishes in a whirlwind, carried off to heaven in a fiery chariot. Was this a spectacular death, or did Elijah escape death entirely? The latter view prevailed. Though residing in heaven, Elijah revisits earth--to help, rescue, enlighten, and eventually herald the Messiah. Because of his messianic role, Jews open the door for Elijah during each seder--the meal commemorating liberation from slavery and anticipating final redemption. How did this zealot turn into a compassionate hero--apparently the most popular figure in Jewish tradition? Becoming Elijah explores this question, tracing how Elijah develops from the Bible to Rabbinic Judaism, Kabbalah, and Jewish ritual (as well as Christianity and Islam). His transformation is pertinent and inspirational for our polarized, fanatical world.

A perceptive and provocative history of Henry Kissinger's diplomatic negotiations in the Middle East that illuminates the unique challenges and barriers Kissinger and his successors have faced in their attempts to broker peace between Israel and its Arab neighbors. “A wealth of lessons for today, not only about the challenges in that region but also about the art of diplomacy . . . the drama, dazzling maneuvers, and grand strategic vision.”—Walter Isaacson, author of The Code Breaker More than twenty years have elapsed since the United States last brokered a peace agreement between the Israelis and Palestinians. In that time, three presidents have tried and failed. Martin Indyk—a former United States ambassador to Israel and special envoy for the Israeli-Palestinian negotiations in 2013—has experienced these political frustrations and disappointments firsthand. Now, in an attempt to understand the arc of American diplomatic influence in the Middle East, he returns to the origins of American-led peace efforts and to the man who created the Middle East peace process—Henry Kissinger. Based on newly available documents from American and Israeli archives, extensive interviews with Kissinger, and Indyk's own interactions with some of the main players, the author takes readers inside the negotiations. Here is a roster of larger-than-life characters—Anwar Sadat, Golda Meir, Moshe Dayan, Yitzhak Rabin, Hafez al-Assad, and Kissinger himself. Indyk's account is both that of a historian poring over the records of these events, as well as an inside player seeking to glean lessons for Middle East peacemaking. He makes clear that understanding Kissinger's design for Middle East peacemaking is key to comprehending how to—and how not to—make peace.

Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.

An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.

This new volume in the JPS Guides series is a fiction reader?s dream: a guide to 125 remarkable works of fiction. The selection includes a wide range of classic American Jewish novels and story collections, from 1867 to the present, selected by the author in consultation with a panel of literary scholars and book industry professionals. Roth, Mailer, Kellerman, Chabon, Ozick, Heller, and dozens of other celebrated writers are here, with their most notable works. Each entry includes a book summary, with historical context and background on the author. Suggestions for further reading point to other books that match readers? interests and favorite writers. And the introduction is a fascinating exploration of the history of and important themes in American Jewish Fiction, illustrating how Jewish writing in the U.S. has been in constant dialogue with popular entertainment and intellectual life. Included in this guide are lists of book award winners; recommended anthologies; title, author, and subject indexes; and more.