Based on a true story, Jerusalem Diary: Searching for the Tomb and House of Jesus is an adventurous journey of intrigue and discovery in the Holy Land. After finishing her PhD, Joanna joins two Australian men who claim to discover new sites that could be Jesus home in Nazareth and his tomb in Jerusalem. As they travel through Israel, Joanna challenges conventional ideas about the life of Jesus. Relying on Gnostic Gospels, Joanna deconstructs the dogmatic images of suffering Christ and creates an alternative picture of Yeshua (Jesus) as a young, rebellious, inspiring teacher. Recent Reviews: This engaging book has everything the passionate-thinking person desires: intensity, intrigue, controversy. Thoroughly enjoyable and thought-provoking. A book for all seekers. Mark Manolopoulos, adjunct research associate, Monash University Centre for Studies in Religion and Theology, and author of If Creation Is a Gift. In Jerusalem Diary, Joanna affectionately traces the life of the human side of Jesus. She beautifully weaves her own spiritual quest for truth in this well-researched, deeply passionate journey, accounting for typical historical gaps in the life and teachings of the Great Soul. The outcome is a refreshing and unusual tale in which Joanna elegantly contrasts and reconciles the Christ on the Cross of the Church with Yeshua, the revered realised Master of the East. A must-read for every sincere seeker of the Self. Karthyeni Purushothaman, lecturer in business management, Monash University

New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

The widely scattered pages of the diaries, collected here for the first time, have been meticulously deciphered, translated, and annotated for this volume.".

Keller's record of the artistic, social and political life of Israel towards the close of the 1970s, illustrated with Milein Cosman's remarkable drawings.

A narrative meditation on joint nonviolence, opening a window to the questions of power, multiple narratives, and imagination that touch on struggles for justice everywhere. As a Palestinian youth, Sulaiman Khatib encountered the occupation in his village and attempted to fight back, stabbing an Israeli. Imprisoned at the age of 14, he began a process of political and spiritual transformation still unfolding today. In a book he asked Penina Eilberg-Schwartz, an American Jew, to write, and based on years of conversation between them, Khatib shares how his activism became deeply rooted in the belief that we must ground all work—from dialogue to direct action to healing—in recognition of the history and humanity of the other. He reveals how he became convinced that Palestinian freedom can flourish alongside Jewish connection to the land where he was born. In language that is poetic and unflinchingly honest, Eilberg-Schwartz and Khatib chronicle what led him to dedicate his life to joint nonviolence. In his journey, he encountered the deep injustice of torture, witnessed the power of hunger strikes, and studied Jewish history. Ultimately, he came to realize mutual recognition, alongside a transformation of the systems that governed their lives, was necessary for both Palestinians and Israelis to move forward. Still, as he built friendships with Israelis and resisted the occupation alongside them, he could not lose sight of the great power imbalance in the relationship, of all the violence and erasure still present as they dreamt forward together. Intimate and political, In This Place Together opens us up to the dangers and hopes of working with others across vast differences in power and experience. And it opens a new space, shapes a third narrative, and finds another world that can exist—though it’s often hard to see—inside this one.

The memoirs of Wasif Jawhariyyeh are a remarkable treasure trove of writings on the life, culture, music, and history of Jerusalem. Spanning over four decades, from 1904 to 1948, they cover a period of enormous and turbulent change in Jerusalem’s history, but change lived and recalled from the daily vantage point of the street storyteller. Oud player, music lover and ethnographer, poet, collector, partygoer, satirist, civil servant, local historian, devoted son, husband, father, and person of faith, Wasif viewed the life of his city through multiple roles and lenses. The result is a vibrant, unpredictable, sprawling collection of anecdotes, observations, and yearnings as varied as the city itself. Reflecting the times of Ottoman rule, the British mandate, and the run-up to the founding of the state of Israel, The Storyteller of Jerusalem offers intimate glimpses of people and events, and of forces promoting confined, divisive ethnic and sectarian identities. Yet, through his passionate immersion in the life of the city, Wasif reveals the communitarian ethos that runs so powerfully through Jerusalem’s past. And that offers perhaps the best hope for its future.