Jelly Bean the giraffe loves her forest and her friends—even if she's too tall to play on the forest floor. She also loves napping with her head in the trees. But when Mama Bird decides Jelly Bean is the perfect place for her nest, the giraffe suddenly has a big responsibility as she waits for the baby birds to hatch. Can Jelly Bean be patient and still enough, day and night? Yes, with a little help from her friends. Working with collage and torn tissue paper, Toni Yuly brings charm and humor to her bold, colorful artwork in this gentle story about friendship, The Jelly Bean Tree.

A magical colorful journey to the world of jelly beans

Two graves occupy a corner of the lawn on the old Rakestraw home place. The family believes their shameful secret is buried forever, but a curious descendant keeps searching and asking questions until he uncovers the truth. What he discovers is not a shame, but an ancestral legacy of strong, honest people who changed a nation. Deep inside this old story, theres a life so wonderful and a love so tragic that it must be told. Emotional courage is required if you are willing to find the end of this familys story. It grabs you up by the collar and jerks into the middle of the Rakestraw family tree. By the time you turn the last page, not a skeleton in your closet will ever dare to rattle its bones again. But if it does, youll be able to answer quietly, I know and I understand.

This book continues as volume 3 of a multi-compendium on Edible Medicinal and Non-Medicinal Plants. It covers edible fruits/seeds used fresh or processed, as vegetables, spices, stimulants, edible oils and beverages. It encompasses species from the following families: Ginkgoaceae, Gnetaceae, Juglandaceae, Lauraceae, Lecythidaceae, Magnoliaceae, Malpighiaceae, Malvaceae, Marantaceae, Meliaceae, Moraceae, Moringaceae, Muntigiaceae, Musaceae, Myristicaceae and Myrtaceae. This work will be of significant interest to scientists, researchers, medical practitioners, pharmacologists, ethnobotanists, horticulturists, food nutritionists, agriculturists, botanists, conservationists, lecturers, students and the general public. Topics covered include: taxonomy; common/English and vernacular names; origin and distribution; agroecology; edible plant parts and uses; botany; nutritive and pharmacological properties, medicinal uses and research findings; nonedible uses; and selected references.

This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore. Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and Miss Kameko Yamao, who have helped me with translations. The story which I have named “The Story of the Man who did not Wish to Die” is taken from a little book written a hundred years ago by one Shinsui Tamenaga. It is named Chosei Furo, or “Longevity.” “The Bamboo-cutter and the Moon-child” is taken from the classic “Taketari Monogatari,” and is NOT classed by the Japanese among their fairy tales, though it really belongs to this class of literature. The pictures were drawn by Mr. Kakuzo Fujiyama, a Tokio artist. In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West...FROM THE BOOKS.