The Javanese nobleman Radèn Mas Arya Candranegara V (1837-85), alias Purwalelana, journeyed across his homeland during the rapidly changing times of the nineteenth century. He travelled around 5,000 kilometres by horse and carriage between 1860 and 1875. His eye-witness account, The Travels of Purwalelana, gives an inside view of Java, at the time part of the Dutch East Indies. Candranegara explains habits and traditions of both the Javanese and the Dutch, he describes the architecture of cities and temples and he marvels about the beautiful tropical landscape as well as about the latest technological inventions such as steam trains, horse-drawn trams and gas lanterns. This Hakluyt publication, illustrated with contemporaneous images, presents the rare perspective of an Indonesian traveller living in colonial times. The author grew up as a member of a Javanese noble family in the hybrid world of the colonial upper class. He received a western-style education, but also learnt how to follow Javanese traditions and to be a good Muslim. In 1858 he was appointed to the high rank of Regent of Kudus by the colonial government. Candranegara wrote his book under the pseudonym Purwalelana, probably because he considered publishing to be an adventurous undertaking and possibly also because it gave him freedom to arrange the events in his own way. The Travels represents the first Javanese travelogue ever written and, as such, it broke with existing traditions. Candranegara used prose instead of poetry, wrote from a first-person perspective rather than a third-person, and he described present society rather than dwelling upon the common literary theme of kings in battle. The result is a lively story in which the armchair traveller shares his experiences on the road. It provides its readers with a range of people and topics pivotal to developments in nineteenth century Java, a treasure trove for historians and cultural anthropologists alike. The volume includes 24 colour illustrations.

The Javanese nobleman Radèn Mas Arya Candranegara V (1837–85), alias Purwalelana, journeyed across his homeland during the rapidly changing times of the nineteenth century. He travelled around 5,000 kilometres by horse and carriage between 1860 and 1875. His eye-witness account, The Travels of Purwalelana, gives an inside view of Java, at the time part of the Dutch East Indies. Candranegara explains habits and traditions of both the Javanese and the Dutch, he describes the architecture of cities and temples and he marvels about the beautiful tropical landscape as well as about the latest technological inventions such as steam trains, horse-drawn trams and gas lanterns. This Hakluyt publication, illustrated with contemporaneous images, presents the rare perspective of an Indonesian traveller living in colonial times. The author grew up as a member of a Javanese noble family in the hybrid world of the colonial upper class. He received a western-style education, but also learnt how to follow Javanese traditions and to be a good Muslim. In 1858 he was appointed to the high rank of Regent of Kudus by the colonial government. Candranegara wrote his book under the pseudonym Purwalelana, probably because he considered publishing to be an adventurous undertaking and possibly also because it gave him freedom to arrange the events in his own way. The Travels represents the first Javanese travelogue ever written and, as such, it broke with existing traditions. Candranegara used prose instead of poetry, wrote from a first-person perspective rather than a third-person, and he described present society rather than dwelling upon the common literary theme of kings in battle. The result is a lively story in which the armchair traveller shares his experiences on the road. It provides its readers with a range of people and topics pivotal to developments in nineteenth century Java, a treasure trove for historians and cultural anthropologists alike. The volume includes 24 colour illustrations.

Javanese literature is one of the world’s richest and most unusual literary traditions yet it is little known today outside of Java, Indonesia, and a handful of western universities. With its more than a millennium of documented history, its complex interactions over the centuries with literature written in Sanskrit, Arabic, Persian, Malay and Dutch, its often symbiotic relationship with the performing arts of puppetry and dance, and its own immense creativity and insight, this vastly understudied literature offers a lens to understanding Java’s fascinating world as well as human ingenuity more broadly. The essays in this volume, Storied Island: New Explorations in Javanese Literature, take a fresh look at questions and themes pertaining to Java’s literature, employing new theoretical and methodological lenses.

In 1594, the first Dutch ships sailed to ‘the East’. Throughout the seventeenth and eighteenth century, almost five thousand ships were sent to the Dutch East Indies, attracting a growing number of travellers, with trade as one of the major incentives. In addition to Dutch missionary ambitions, progress and technological innovations not only fed the growing hunger for expansion, but also stirred an appetite for adventure. The hope for a life in welfare is mirrored in the growing numbers of passengers travelling ‘East’ in the nineteenth century and the first half of the twentieth century. At the same time, Javanese travellers started to explore their homeland as well. Travelling the Dutch East Indies not only offers a diverse picture of travel and a critical perspective on the colonial ideology with which it is associated, but also shows how the collections of Leiden University Libraries can serve as a rich source for all kinds of historical research.

This volume deals with a hitherto largely neglected aspect of cities, namely the symbolic and ritual structure in which the urban community is rooted. This fascinating facet is explored in a combined effort by social anthropologists, sociologists, historians and philologists for cities like Jakarta, Padang, Bangkok, Beijing, Tokyo, Baghdad, Kathmandu, Lucknow, Francistown, Vitoria and Buenos Aires. Three perspectives on the study of symbolism in the urban arena are developed, namely the material, cultural and structural point of view. This results in a series of new concepts for comparative use and provides lively descriptions suffused by rich detail of the social processes by which urban symbols and rituals are constituted.

"Literatur-overzicht" issued with v. 95.

Includes reports of meetings of the institute.