"A brilliant wedding of 'national character' studies and analyses of small societies through the structural approach of British anthropology. One is of course reminded of Ruth Benedict's Chrysanthemum and the Sword which deals also with Japanese national culture. Studies by Margaret Mead and Geoffrey Gorer deal with other national cultures; however, all of these studies take off from national psychology. Professor Nakane comes to explanation of the behavior of Japanese through analysis rather of historical social structure of Japanese society, beginning with the way any two Japanese perceive each other, and following through to the nature of the Japanese corporation and the whole society. Nakane's remarkable achievement, which has already given new insight about themselves to the Japanese, promises to open up a new field of large-society comparative social anthropology which is long overdue." —Sol Tax "This is an important book!"--Robert E. Cole, Journal of Asian Studies "If you have time for just one book on Japan, try this one."--David Plath, Asian Student "Should be taken to heart by everyone who has dealings with Japan. . . .Even those--or, perhaps, most of all those--who know Japan intimately will be grateful to Professor Nakane for her brilliant study."--Times Literary Supplement

Essential reading for students of Japanese society, An Introduction to Japanese Society now enters its third edition. Here, internationally renowned scholar, Yoshio Sugimoto, writes a sophisticated, yet highly readable and lucid text, using both English and Japanese sources to update and expand upon his original narrative. The book challenges the traditional notion that Japan comprises a uniform culture, and draws attention to its subcultural diversity and class competition. Covering all aspects of Japanese society, it includes chapters on class, geographical and generational variation, work, education, gender, minorities, popular culture and the establishment. This new edition features sections on: Japan's cultural capitalism; the decline of the conventional Japanese management model; the rise of the 'socially divided society' thesis; changes of government; the spread of manga, animation and Japan's popular culture overseas; and the expansion of civil society in Japan.

As Japan enters the 21st century with a new emperor, this title continues to be an indispensable guide through often enigmatic and historical idiosyncrasies of Japanese culture and politics that are often confusing to the outsider. This title includes information on the latest social developments, customs, rituals, business culture, medicine and arts.

Gender relations were complex in Edo-period Japan (1603-1868). Wakashu, male youths, were desired by men and women, constituting a "third gender" with their androgynous appearance and variable sexuality. This book examines the fascination with wakashu in Edo-period culture. The book reproduces over a hundred works, mostly woodblock prints and illustrated books from the eighteenth and nineteenth centuries. The book is based on the collection of the Royal Ontario Museum, which houses the largest collection of Japanese art in Canada, including more than 2,500 woodblock prints.

A diverse cross-section of Japan passes through the bar Lui, and the bartender tends to them all, with all their hopes and their fears. Underneath the black suits--whether crumpled or designer--and the cosmetics, they're all people on the way to somewhere else in Tokyo's glittering boom era. The bartenders and Mama-sans who keep everything running smoothly rely on their own camaraderie, night after night. Winner of the 1975 Naoki Prize. Amayadori (雨やどり) originally appeared as a series of short stories in various magazines from 1973-74, later compiled into this book as Amayadori, with the subtitle "Shinjuku baka monogatari," which could be roughly translated as "Tales of Shinjuku naifs." Written while Japan was close to the peak of the post-War economic boom, Hanmura captures the "economic animals" of Japan, and the countless men and women in their periphery who kept the bars and cabarets running all night long to let them blow off steam. Japan of the 21st century is vastly different, and Hanmura's depiction of a very different era is still popular among those who fondly remember "the way it used to be." While the settings have changed and smartphones provide new modes of interaction, the same archetypical salesmen, bartenders, and bargirls still haunt the night spots of Tokyo, searching for something better.

Recent years have witnessed an explosive growth in the literature published about Japan. Yet it seems that the more that is written about Japan and Japanism – its culture, society, people – the more mysterious it becomes. As well as exploring issues relating to advertising, tourism, women, festivals and the art world, the book depicts how the study of Japanese society contributes to anthropological theory and understanding. The editors use the term ‘unwrapping’ to provide insights into Japanese culture and relate these insights to broader problems and questions prevalent in contemporary anthropological discourse. The issues explored include the contribution of applied anthropology to theory; the relationship between tourism and nostalgia; the interplay of marginality and belonging; the role of advertising in gender relations; status in the art world and the place of Japanese genres of writing within anthropology texts.