The name "The Jaguar People" is an honorary title given by the author to three Amazonian tribes who derive their inspiration and cultural traditions from the jaguar--the Marayonas, the Pirahas and the Ashanikas. Among these Amazonian tribes we can observe common survival characteristics such as fishing and hunting for their primary food sources. There are only a handful of Amazonian tribes the still practice this ancient way of life. An indeterminate number of cosmological levels constitute the indigenous universe of good and evil spirits. The primary ornamental facial designs of these three tribes, however, pay mystical homage to the jaguar and its incredible hunting skills. The revered jaguar personifies the power and courage exhibited by the tribal hunters in pursuit of their prey. This engaging numbered series book gives the reader a glimpse into the unique lives of three Amazonian tribes, some of which still live in a primary "state of nature." This real life illustrated book is recommended for the entire family, for elementary and middle schools, anthropologists, naturalists and collectors of The Amazon Exploration Series.

Mysteries of the Jaguar Shamans of the Northwest Amazon tells the life story of Mandu da Silva, the last living jaguar shaman among the Baniwa people in the northwest Amazon. In this original and engaging work, Robin M. Wright, who has known and worked with da Silva for more than thirty years, weaves the story of da Silva’s life together with the Baniwas’ society, history, mythology, cosmology, and jaguar shaman traditions. The jaguar shamans are key players in what Wright calls “a nexus of religious power and knowledge” in which healers, sorcerers, priestly chanters, and dance-leaders exercise complementary functions that link living specialists with the deities and great spirits of the cosmos. By exploring in depth the apprenticeship of the shaman, Wright shows how jaguar shamans acquire the knowledge and power of the deities in several stages of instruction and practice. This volume is the first mapping of the sacred geography (“mythscape”) of the Northern Arawak–speaking people of the northwest Amazon, demonstrating direct connections between petroglyphs and other inscriptions and Baniwa sacred narratives as a whole. In eloquent and inviting analytic prose, Wright links biographic and ethnographic elements in elevating anthropological writing to a new standard of theoretically aware storytelling and analytic power.

“This eloquent book inspires us to create a new reality of what it means to be humans on this magnificent planet.” —Deepak Chopra This all happened while Perkins was a Peace Corps volunteer. Then he became an "economic hit man" (EHM), convincing developing countries to build huge projects that put them perpetually in debt to the World Bank and other US-controlled institutions. Although he'd learned in business school that this was the best model for economic development, he came to understand it as a new form of colonialism. When he later returned to the Amazon, he saw the destructive impact of his work. But a much more profound experience emerged: Perkins was inspired by a previously uncontacted Amazon tribe that “touched its jaguar” by uniting with age-old enemies to defend its territory against invading oil and mining companies. For the first time, Perkins details how shamanism converted him from an EHM to a crusader for transforming a failing Death Economy (exploiting resources that are declining at accelerating rates) into a Life Economy (cleaning up pollution, recycling, and developing green technologies). He discusses the power our perceptions have for molding reality. And he provides a strategy for each of us to change our lives and defend our territory—the earth—against current destructive policies and systems.

Not since Clifford Geertz's "Deep Play: Notes on the Balinese Cockfight" has the publication of an anthropological analysis been as eagerly awaited as this book, Terence S. Turner's The Fire of the Jaguar. His reanalysis of the famous myth from the Kayapo people of Brazil was anticipated as an exemplar of a new, dynamic, materialist, action-oriented structuralism, one very different from the kind made famous by Claude L vi-Strauss. But the study never fully materialized. Now, with this volume, it has arrived, bringing with it powerful new insights that challenge the way we think about structuralism, its legacy, and the reasons we have moved away from it. In these chapters, Turner carries out one of the richest and most sustained analysis of a single myth ever conducted. Turner places the "Fire of the Jaguar" myth in the full context of Kayapo society and culture and shows how it became both an origin tale and model for the work of socialization, which is the primary form of productive labor in Kayapo society. A posthumous tribute to Turner's theoretical erudition, ethnographic rigor, and respect for Amazonian indigenous lifeworlds, this book brings this fascinating Kayapo myth alive for new generations of anthropologists. Accompanied with some of Turner's related pieces on Kayapo cosmology, this book is at once a richly literary work and an illuminating meditation on the process of creativity itself.

This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico—the Nahua, Mixtec, Zapotec, and Mixe—and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica. Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress, work, roles, sexuality, acts of resistance, and relationships with men and other women. Drawing on a rich collection of archival, textual, and pictorial sources, she traces the shifts in women's economic, political, and social standing to evaluate the influence of Spanish ideologies on native attitudes and practices around sex and gender in the first several generations after contact. Though catastrophic depopulation, economic pressures, and the imposition of Christianity slowly eroded indigenous women's status following the Spanish conquest, Sousa argues that gender relations nevertheless remained more complementary than patriarchal, with women maintaining a unique position across the first two centuries of colonial rule.

This “extraordinary” novel of one man’s border crossing reveals “a human history of sorrow and suffering, all of it beginning with the thirst to be free” (NPR). Héctor is trapped. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers’ money for a mechanic and have not returned. Héctor finds a name in his friend César’s phone: AnniMac. A name with an American number. He must reach her, both for rescue and to pass along the message César has come so far to deliver. But are his messages going through? Over four days, as water and food run low, Héctor tells how he came to this desperate place. His story takes us from Oaxaca—its rich culture, its rapid change—to the dangers of the border, exposing the tangled ties between Mexico and El Norte. And it reminds us of the power of storytelling and the power of hope, as Héctor fights to ensure his message makes it out of the truck and into the world. Both an outstanding suspense novel and an arresting window into the relationship between two great cultures, The Jaguar’s Children shows how deeply interconnected all of us are. “This is what novels can do—illuminate shadowed lives, enable us to contemplate our own depths of kindness, challenge our beliefs about fate. Vaillant’s use of fact to inspire fiction brings to mind a long list of powerful novels from the past decade or so: What is the What by Dave Eggers; The Map of Love by Ahdaf Soueif; The Storyteller by Jodi Picoult.” —Amanda Eyre Ward, The New York Times Book Review “[A] heartbreaker . . . Wrenching . . . with a voice fresh and plangent enough to disarm resistance.” —The Boston Globe “Fearless.” —The Globe and Mail

2015 Schneider Family Book Award Winner * "A candid and deeply resonant account of a hard-fought battle against societal stigma, and an embrace of one's true talent and calling." —Publisher's Weekly, starred review Speaking for the animals he loves gives one boy’s life hope, purpose, and truth in this gorgeous picture book autobiography. Alan loves animals, but the great cat house at the Bronx Zoo makes him sad. Why are they all alone in empty cages? Are they being punished? More than anything, he wants to be their champion—their voice—but he stutters uncontrollably. Except when he talks to animals…then he is fluent. Follow the life of the man Time Magazine calls, "the Indiana Jones of wildlife conservation" as he searches for his voice and fulfills a promise to speak for animals, and people, who cannot speak for themselves. This real-life story with tender illustrations by Catia Chien explores truths not defined by the spoken word. Publishers Weekly Best Book Ezra Jack Keats New Writer Honor Notable Social Studies Trade Books for Young People 2015 Winner of the 2015 Sigurd F. Olson Nature Writing Award 2015 Green Earth Book Honor book