In 'The Ivory Workers of the Middle Ages' by Anna Maria Elizabeth Cust, the author delves into the complex relationship between ivory craftsmanship and medieval society. Through meticulous research and vivid descriptions, Cust provides an in-depth examination of the techniques and skillful artistry employed by ivory workers during this period. The book is distinguished by its detailed analysis of the cultural, economic, and religious significance of ivory objects in medieval Europe, shedding light on a lesser-known aspect of the Middle Ages. Cust's narrative style is scholarly yet accessible, making this book a valuable resource for scholars and history enthusiasts alike. The meticulous attention to detail and comprehensive examination of the subject matter make 'The Ivory Workers of the Middle Ages' a significant contribution to the study of medieval craftsmanship and material culture. Anna Maria Elizabeth Cust, a renowned historian and expert in medieval art and craftsmanship, brings her expertise to bear in this insightful exploration of ivory workers in the Middle Ages. Drawing on a wealth of primary sources and archaeological evidence, Cust offers a compelling account of the role of ivory in medieval society and its impact on the artistic traditions of the time. Her passion for the subject shines through in the meticulous research and thoughtful analysis that characterize her work. I highly recommend 'The Ivory Workers of the Middle Ages' to anyone interested in medieval history, art history, or the history of craftsmanship. Cust's thorough examination of this fascinating topic provides readers with a newfound appreciation for the skill and creativity of medieval ivory workers, making this book a must-read for those seeking a deeper understanding of medieval material culture.

The Yi Jing Apocrypha of Genghis Khan is a working companion of the Ivory Tablets of the Crow and a rare translation of the I Ching (Book of Changes). Originally, it was thought to be circulated and developed by members of Black Dragon Society in their investigation of the Art of Ninzuwu (Yi Jing Sorcery).The Art of Ninzuwu is a very powerful transformaional process and is said to be one of the oldest forms of magical practice in the world.The Yi Jing Apocrypha of Genghis Khan also reveals the historical authenticity of what appears in the Ivory Tablets of the Crow and how it is applied to Yi Jing divination. The book gives a thorough, yet mystical, explanation of each of the sixty-four hexagrams and compares them to the Sixty-Four Letters of Genghis Khan. The book also explores the spiritual side of Genghis Khan and his connections to shamanism. Formulas for accessing the vibration of the hexagrams are given, as well as, advanced initiatory practices of Ninzuwu. The book also examines the Yi Jing's relationship to ancient Sumerian spirituality and reveals the location of the legendary land of Dilmun, and the possibility of a Yi Jing originating in ancient Mesopotamia. Many people who presently use the I Ching in their lives will find this text truly rewarding. Others will now be able to validate the historical authenticity of what appears in the Ivory Tablets of the Crow. People, regardless of their political, racial, religious, and spiritual background can gain some wisdom from the Yi Jing Apocrypha of Genghis Khan.Another theme that is prominent in the text is the Yi Ching's relationship to Shinto and the fundamental creed of the Black Dragon Society. The Appendix includes excerpts from a speech given prominent member of the Black Dragon Society and his views on Dr. Mikao Usui.Caution: The Yi Jing Apocrypha of Genghis Khan is an advanced initiatory path into a rare form of sorcery. The Hexegrams are arranged in the order of their initiatory steps. The editor suggests that the book be read first in its entirety before practice.

The Ivory Tablets of the Crow is the initiatory rite of the Art of Ninzuwu, a spiritual practice said to have originated during the Jomon period, closely associated with the Tengu, Yatagarasu, and Ryujin Shinko (Dragon god faith). During the Jomon period an empire existed, whose boundaries stretched from the Far East into what is known today as ancient Mesopotamia. Traces of this empire can be found in the legends of the continent of Mu and stories about a struggle for what is known as the Tablets of Destinies, which marked the breakdown of this kingdom. The Tablets of Destinies was understood to be “the power of Anu” by the ancient Mesopotamians. It is said by some to be the Yi Jing of Chinese, and an esoteric knowledge of a secret society that was occasionally revealed to mankind by the Tengu and the Yatagarasu. The Ninzuwu, being the keepers of the sacred knowledge, shared this technology with mankind in the mathematical language of dreams and other practices that are closely associated with what is known today as Shinto and Yi Jing Sorcery, which are not separate schools when understood properly, the Cult of Nyarzir.It was by the use of the mathematical language of dreams, that an initiate can interpret and communicate with the same forces that he/she are being influenced by, and what deity that they may call upon for clarity, but also how transmute their own DNA and evolve in being. This is the meaning of the Tablets of Destinies, also known as the Yi Jing.