This novel introduces Schedoni, the villainous scheming monk, and tells of the romance between a young Neapolitan nobleman and his lover, a match opposed by his mother, who enlists the help of Schedoni to stop the affair.

It was in the church of San Lorenzo at Naples, in the year 1758, that Vincentio di Vivaldi first saw Ellena Rosalba. The sweetness and fine expression of her voice attracted his attention to her figure, which had a distinguished air of delicacy and grace; but her face was concealed in her veil. So much indeed was he fascinated by the voice, that a most painful curiosity was excited as to her countenance, which he fancied must express all the sensibility of character that the modulation of her tones indicated. He listened to their exquisite expression with a rapt attention, and hardly withdrew his eyes from her person till the matin service had concluded; when he observed her leave the church with an aged lady, who leaned upon her arm, and who appeared to be her mother. Vivaldi immediately followed their steps, determined to obtain, if possible, a view of Ellena’s face, and to discover the home to which she should retire. They walked quickly, looking neither to the right or left, and as they turned into the Strada di Toledo he had nearly lost them; but quickening his pace, and relinquishing the cautious distance he had hitherto kept, he overtook them as they entered on the Terrazzo Nuovo, which runs along the bay of Naples, and leads towards the Gran Corso. He overtook them; but the fair unknown still held her veil close, and he knew not how to introduce himself to her notice, or to obtain a view of the features, which excited his curiosity. He was embarrassed by a respectful timidity, that mingled with his admiration, and which kept him silent, notwithstanding his wish to speak. In descending the last steps of the Terrazzo, however, the foot of the elder lady faltered, and, while Vivaldi hastened to assist her, the breeze from the water caught the veil, which Ellena had no longer a hand sufficiently disengaged to confine, and, wafting it partially aside, disclosed to him a countenance more touchingly beautiful than he had dared to image. Her features were of the Grecian outline, and, though they expressed the tranquillity of an elegant mind, her dark blue eyes sparkled with intelligence. She was assisting her companion so anxiously, that she did not immediately observe the admiration she had inspired; but the moment her eyes met those of Vivaldi, she became conscious of their effect, and she hastily drew her veil. The old lady was not materially hurt by her fall, but, as she walked difficultly, Vivaldi seized the opportunity thus offered, and insisted that she should accept his arm. She refused this with many acknowledgments; but he pressed the offer so repeatedly and respectfully, that, at length, she accepted it, and they walked towards her residence together. On the way thither, he attempted to converse with Ellena, but her replies were concise, and he arrived at the end of the walk while he was yet considering what he could say, that might interest and withdraw her from this severe reserve. From the style of their residence, he imagined that they were persons of honourable, but moderate independence. The house was small, but exhibited an air of comfort, and even of taste. It stood on an eminence, surrounded by a garden and vineyards, which commanded the city and bay of Naples, an ever-moving picture, and was canopied by a thick grove of pines and majestic date-trees; and, though the little portico and collonade in front were of common marble, the style of architecture was elegant. While they afforded a shelter from the sun, they admitted the cooling breezes that rose from the bay below, and a prospect of the whole scope of its enchanting shores.

Ever wondered how the quintessential bully acted during the Holy Inquisition? Look no further. In her unnerving gothic novel "The Italian" (1797), Ann Radcliffe explores individuality in a culture dominated by the church as the happiness of the young couple Vicento di Vivaldi and Ellena di Rosalbe is thwarted by the evil ways of the selfish and peremptory Father Schedoni. The last novel to be published during Radcliffe’s lifetime, this fast-paced gothic novel is packed with romantic rendezvous, nocturnal danger, kidnappings, murder, and mysterious characters lurking in the shadows. Hidden away in this sublime novel of concealment and disguise is an undying and triumphant light that emanates from the hearts of Vicento and Ellena who are sure of one thing: no one is above the law – not even the church. Ann Radcliffe (1764-1823) was a British fiction writer, best known for her pioneering role in the English gothic tradition. She married a journalist and in his long absences, she began to write. Her works exhibit a preference for exotic and sinister places, where her female protagonists often suffer supernatural occurrences. Her best known novels include "The Mysteries of Udolpho", "The Italian", and "A Sicilian Romance".