Winner of the 2014 Sami Rohr Prize for Jewish Literature A thousand years ago, the most perfect copy of the Hebrew Bible was written. It was kept safe through one upheaval after another in the Middle East, and by the 1940s it was housed in a dark grotto in Aleppo, Syria, and had become known around the world as the Aleppo Codex. Journalist Matti Friedman’s true-life detective story traces how this precious manuscript was smuggled from its hiding place in Syria into the newly founded state of Israel and how and why many of its most sacred and valuable pages went missing. It’s a tale that involves grizzled secret agents, pious clergymen, shrewd antiquities collectors, and highly placed national figures who, as it turns out, would do anything to get their hands on an ancient, decaying book. What it reveals are uncomfortable truths about greed, state cover-ups, and the fascinating role of historical treasures in creating a national identity.

Online activities present a unique challenge for museums as they harness the potential of digital technology for sustainable development, trust building, and representations of diversity. This volume offers a holistic picture of museum online activities that can serve as a starting point for cross-disciplinary discussion. It is a resource for museum staff, students, designers, and researchers working at the intersection of cultural institutions and digital technologies. The aim is to provide insight into the issues behind designing and implementing web pages and social media to serve the broadest range of museum stakeholders.

In recent times, ethnicity and issues of origin have become a hotly debated topic among Jews both in Israel and in the Diaspora. This is particularly true both of Jews from the Middle East and North Africa, who for years had remained at the margins of the Israeli national narrative, as well as the Israeli Palestinian minority. Much the same may be said of Diaspora Jews. Among the public spaces where ethnicity has become more visible are museums, together with heritage centres, art galleries, and the Internet. The aim of Memory and Ethnicity is to investigate how ethnicity is represented and narrated in such spaces. How have groups of Jews from such different backgrounds as Morocco, Egypt, India or the US elaborated their past legacies and traditions vis-à-vis a variety of national narratives and cultural or political ideologies? This volume describes the emergence of a new museological scene – that mirrors a multi-vocal Jewish and Israeli public sphere in which ethnicity has become central to a nation’s cultural imagination. By considering museums as “places of memory” where an ethnic/communal identity is displayed, Memory and Ethnicity analyses which memories are preserved, and which suppressed. This study sets out to enrich the understanding of Israeli and Jewish cultural history, and also to deepen the field of museum studies from little investigated perspectives.

This title deals with one of the most important areas in the Land of Israel during the Second Temple period. It was to this area that most Jews returned from the Babylonian Exile, and it was here that the Hasmonean state, with its religious and military heritage, was formed and flourished. At the core of this book is the description of the discovery of two agricultural settlements and the finds unearthed there, which illuminate Jewish rural life during the Second Temple period. Most important is the unearthing of a synagogue, dating from before the destruction of the Temple, which is the first synagogue discovered from that period to date in the Land of Benjamin.