What role does the state have over national development within an increasingly globalized economy? Moreover, how do we conceive 'nationality' during periods of rapid economic and social change spurred on by globalization? By examining tourism in the Republic of Ireland over the past 20 years, Michael Clancy addresses these questions of national identity formation, as well as providing a detailed understanding of the political economy of tourism and development. He explores tourism's role in the 'Celtic Tiger' phenomenon and uses tourism as a lens for observing national identity formation in a period of rapid change.

Bernard Dunne boxed for the first time at the age of 6. Twenty-three years later, in an electrifying performance at the O2 arena in Dublin, he stopped the brilliant Ricardo Cordoba to take the WBA World Super Bantamweight belt. The path from the gym in west Dublin to the world title was often a rocky one. Here, for the first time, Bernard Dunne tells his own amazing story. It begins in Neilstown, where boxing ran in the family. In his amateur career, Bernard never lost to an Irish fighter; but he narrowly missed out on the 2000 Olympics, and rather than spend another four years as an amateur in search of Olympic glory he decided to go pro. Going pro meant going to California, and, under the tutelage of Sugar Ray Leonard and Freddie Roach, California became a land of dreams for Bernard. Twelve of his fourteen professional fights in America were televised nationally, and he was working towards a title fight. But he missed home, missed his family. He wanted it all: he wanted to win a world title, and he wanted to do it in Ireland. The way he went about doing that has made Bernard Dunne an Irish national treasure. After winning a European belt, he was defeated by Kiko Martinez; but he bounced back with courage and brilliance to win the WBA super bantamweight belt from Cordoba in front of a delirious crowd at the O2 arena. Rather than rest on his laurels, as many champions in his position would do, Bernard accepted the toughest challenge of all: from a slab of granite named Poonsawat. He lost the belt, but his courage and dignity in defeat were heroic. Now, Bernard tells the full story of his life and boxing career - a story full of surprises. It will thrill all his old fans and win him new ones.

This book is a collection of nine essays exploring the Irish-American experience in the New Jersey and New York metropolitan area, both historically and today. The essays place the local Irish-American experience in the wider context of immigration studies, assimilation, and historical theory. Using case studies, interviews, scholarly research in primary historical documents and theory, and first-hand experience, the authors delve into what it has meant, and means, to be Irish American in the New Jersey and New York area, projecting what this ethnic identity will signify in years to come. Representing a variety of scholarly and professional disciplines, from archivists; to historians; to lawyers; to scholars of literature and theology; the authors share their own unique perspectives on the significance of the contributions of Irish-Americans to American life in various arenas. Each chapter is interdisciplinary, revealing the interconnections among cultural history, biography, contemporary events, and literary appreciation. It is through these intersections of disciplines, of past and present, of individual and community, that we can best analyze and appreciate the ways that Irish-Americans have shaped life in the New Jersey/New York area over the past two centuries.

This Civil War saga from military novelist Coyle is about two brothers from New Jersey who find themselves on opposite sides of the war.

Featuring new essays by international literary scholars, the two-volume Companion to Irish Literature encompasses the full breadth of Ireland's literary tradition from the Middle Ages to the present day. Covers an unprecedented historical range of Irish literature Arranged in two volumes covering Irish literature from the medieval period to 1900, and its development through the twentieth century to the present day Presents a re-visioning of twentieth-century Irish literature and a collection of the most up-to-date scholarship in the field as a whole Includes a substantial number of women writers from the eighteenth century to the present day Includes essays on leading contemporary authors, including Brian Friel, Seamus Heaney, Eavan Boland, Roddy Doyle, and Emma Donoghue Introduces readers to the wide range of current approaches to studying Irish literature

This book opens the curtain on the crucial role played by Victorian and Edwardian novelists in changing views of domestic violence. Examining the mechanisms of domestic violence through the historical lenses of the law, crime, and economics, this study illuminates these novelists’ depictions of wife-battering, including scenes in which women witness their children being beaten or children witness their mothers’ beatings. This book also shows how these representations interacted with changing paradigms of masculinity and femininity at the time. Extending from the decades before the 1857 Divorce Act to the Suffrage era, the book details the changing circumstances of conjugal violence and divorce in England. William Makepeace Thackeray’s The Memoirs of Barry Lyndon, Esq. (1844) and Caroline Norton’s Stuart of Dunleath: A Story of Modern Times (1851) expose the impact of class on reactions to domestic violence. Wilkie Collins’s The Law and the Lady (1875) and Ouida’s (Marie Louise de la Ramé) Moths (1880) depict proto-New Women figures who resist domestic violence, while traditional wife figures continue to fall victim. In Mona Caird’s The Wing of Azrael (1889) and Sir Arthur Conan Doyle’s The Hound of the Baskervilles (1902) and “The Adventure of the Abbey Grange” (1904), protagonists exact their own justice on perpetrators of domestic violence. By the Edwardian period, it was clear that legislation alone could not solve the problems of domestic violence. Constance Maud’s No Surrender (1911) adroitly links wife-battering with public violence against suffragettes, exposing the underlying British socio-cultural system that maintained women’s subordination.