The writing of Irish American history has been transformed since the 1960s. This volume demonstrates how scholars from many disciplines are addressing not only issues of emigration, politics, and social class but also race, labor, gender, representation, historical memory, and return (both literal and symbolic) to Ireland. This recent scholarship embraces Protestants as well as Catholics, incorporates analysis from geography, sociology, and literary criticism, and proposes a genuinely transnational framework giving attention to both sides of the Atlantic. This book combines two special issues of the journal Éire-Ireland with additional new material. The contributors include Tyler Anbinder, Thomas J. Archdeacon, Bruce D. Boling, Maurice J. Bric, Mary P. Corcoran, Mary E. Daly, Catherine M. Eagan, Ruth-Ann M. Harris, Diane M. Hotten-Somers, William Jenkins, Patricia Kelleher, Líam Kennedy, Kerby A. Miller, Harvey O'Brien, Matthew J. O'Brien, Timothy M. O'Neil, and Fionnghuala Sweeney.

Anthropologist Brighton (Maryland) offers a historical archaeological investigation of the diaspora of Ireland, reflecting the migration of Irish immigrants to the US during a turbulent period in Irish history from the mid-1840s to the 1850s. Brighton's work is the first to offer a study through an archaeological lens connecting Irish communities spanning two continents and covering four sites: two in Ireland, specifically, in County Roscommon, and two in the US, the Five Points section of Manhattan, New York, as well as the historically Irish community in Paterson, New Jersey. There have been some recent diasporic studies on Irish migrations of the 19th century, such as Catherine Nash's Of Irish Descent: Origin Stories, Genealogy, and the Politics of Belonging (2008). However, Brighton's technique is inspired from transnational investigations of the African diaspora to the Atlantic world. This volume can serve as an excellent research tool for students of Ireland as well as diasporic archaeology. Summing Up: Highly recommended. All students of archaeology of the modern world." --B. C. Ryan, Syracuse University, Choice Between 1845 and 1852, a watershed event in Ireland's history--the Great Hunger--forced more than one million starved and dispossessed people, most of them poor tenant farmers, to leave their native country for the shores of the United States. Further weakened by the arduous voyage across the Atlantic Ocean, many sought refuge in the harbor cities in which they landed. Not surprisingly, Irish immigrants counted as one quarter of New York City's population during the 1850s. In Historical Archaeology of the Irish Diaspora, Stephen A. Brighton places Irish and Irish American material culture within a broad historical context, including the waves of immigration that preceded the Famine and the development of the Irish American communities that followed it. He meticulously details the archaeological research connected with excavations at two pre-Famine sites in County Roscommon, Ireland, and with several immigrant tenements located in the Five Points, Manhattan, and the Dublin section of nearby Paterson, New Jersey. Using this transnational approach to link artifacts and ceramics found in rural Ireland with those discovered in sites in the urban, northeastern United States, Brighton also employs contemporary diaspora studies to illustrate how various factions sustained a distinct homeland connection even as the Irish were first alienated from, and then gradually incorporated into, American society. With more than forty million Americans claiming Irish ancestry, fully understanding Ireland's traumatic history and its impact on the growth of the United States remains a vital task for researchers on both sides of the Atlantic. Brighton's study of lived experience follows a fascinating historical path that will aid scholars in a variety of disciplines. Stephen A. Brighton is an assistant professor of anthropology at the University of Maryland. His articles have appeared in the International Journal of Historical Archaeology and Historical Archaeology.

A French-founded frontier village that transformed into a booming nineteenth-century industrial mecca dominated by Germans, the city of St. Louis nonetheless resounds from the influence of Irish immigrants. Both the history and the maps of the city are dotted with the enduring legacies of familiar celts--John Mullanphy, John O'Fallon, Cardinal John J. Glennon--but the true marks of the Irish in St. Louis were made by the common immigrants--those who fled their homeland to settle in the Kerry Patch on St. Louis's near north side--and their battle to maintain cultural, ethnographic, and religious roots. Popular local historian William Barnaby Faherty, S.J., offers readers a look into the history and effects of the Irish immigration to St. Louis. The author can now be placed within a rich Irish heritage in the world of publishing: Joseph Charless, editor of the first newspaper west of the Mississippi, the Missouri Gazette; William Marion Reedy, editor of the Mirror and nineteenth-century literary mogul; Joseph McCullagh, editor of the Globe-Democrat in the late nineteenth century; and controversial author Kate (O'Flaherty) Chopin. The Irish in St. Louis is an enticing ethnographic history of one nationality clinging to its roots in a melting- pot American city. Both visitor and native St. Louisian, Irish or not, will relish this history of one of St. Louis's most enduring communities.

"Most Americans first heard of Michael Harrington with the publication of The Other America, his seminal book on American poverty. Isserman expertly tracks Harrington's beginnings in the Catholic Worke"

Few infantry regiments in the Civil War compiled a more distinguished record than the Fifth Missouri. The unique blending of fiery Irish Confederates from St. Louis with rural pro-Southern Missourians forged an unshakable esprit de corps, making the unit the crack infantry regiment in the western sector. Most of Colonel James C. McCown's troops were young men in their 20s, and their good health and physical conditioning allowed them to carry out their "shock" missions throughout the region. From the perspective of the common soldiers and the unit's leaders the activities and battles of the Fifth Missouri are recounted here.

It took a long time before St. Louis finally accepted its Irish population. When the first waves of Famine Irish arrived on the landing in the 1840s, the city was appalled by their poverty. As subsequent waves of Irish fled political oppression after the Civil War, anti-Catholic sentiment sparked bloody riots in which the Irish gave as good as they got. But after seven centuries of enslavement in their own country, nothing would stop them from creating a place in their adopted city. The story of their assimilation is as multifaceted as the Irish character itself. From Shanty to Lace Curtain introduces us to a range of St. Louis Irish, from priests like Timothy Dempsey and Charles Dismas Clark (the "Hoodlum Priest") to gangsters from the Bottoms Gang and Egan's Rats. We meet artists and revolutionaries, entrepreneurs, and entertainers. It takes us to the rough and tumble neighborhoods of 19th-century Kerry Patch and Dogtown, where immigrants and their children forged paths into the city's mainstream while preserving their Irish identity. We visit contemporary Irish St. Louis, where Irish dance and music thrive. At McGurk's Pub and the Pat Connolly Tavern we discover what makes an Irish pub truly Irish. We also learn the behind-the-scenes story of why St. Louis has two St. Patrick Day Parades. Local author and artist Patrick Murphy uses photos, interviews, and photos to compile this comprehensive collection dedicated to the Irish immigrants who helped make St. Louis what it is today.

This new volume of original essays focuses on the presence of European ethnic culture in American society since 1830. Among the topics explored in Immigrant America are the alienation and assimilation of immigrants; the immigrant home and family as a haven of ethnicity; religion, education and employment as agents of acculturation; and the contours of ethnic community in American society.