Professional baseball took root in America in the 1860s during the same years that the sons of the first wave of Irish famine refugees began to reach adulthood, and the Irish quickly demonstrated a special affinity for baseball. This is a survey of the enormous contribution of the Irish to the American pastime and the ways in which Irish immigrants and baseball came of age together. Chapters cover Irish immigrants in Boston; the Chicago White Stockings; the Shamrocks, Trojans and Giants; Charlie Comiskey; Patsy Tebeau and the Hibernian Spiders; Ned Hanlon and the Orioles; Hugh Duffy and Tommy McCarthy, the "Heavenly Twins"; umpires; John McGraw; "Wild Bill" Donovan, Patrick Joseph "Whiskey Face" Moran, and Connie Mack; the Red Sox and the Royal Rooters; and more.

“The Emerald Diamond is a must read. It is a remarkable story about the achievements of the Irish throughout the history of baseball in America.” -Jay P. Dolan New York Times bestselling sportswriter Charley Rosen, author of The Bullpen Diaries and More than Just a Game, delivers a one-of-a-kind instant classic perfect “for anyone who is Irish and loves baseball.” The history of the Irish in baseball is much richer than anyone realizes. From early discrimination to later domination, from Mike Kelly, a society star in the 1880s, to the managerial fame of Connie Mack (né McGillicuddy), early Irish players and managers helped shape the game of baseball in every way. From the first curveball to the first players' unions, Irishmen took America's national pastime and made it their own, turning it into the glorious game we know today, as more recent players have kept alive the Irish tradition of setting records. A wild, fun, fact-filled celebration of the Irish in baseball, The Emerald Diamond intersperses interviews with current players with tales of such players as Dan Brouthers, who at 6'2" and well over 200 pounds, was the game's home-run king until Babe Ruth came along; and includes lively anecdotes about such colorfully nicknamed ballplayers. Just a few of the great Irish athletes featured as well are Mickey Cochrane (for whom Mickey Mantle was named); Charles Comiskey; Ed Walsh, the last pitcher to win 40 games in a single season; and Ed Delahanty, whose prodigious life and mysterious death continue to be a source of intrigue. With decade-by-decade profiles of exciting Irish figures on the field and off, The Emerald Diamond also offers important discussion on cultural and political themes relevant to their times.

Jerrold Casway coined the phrase "The Emerald Age of Baseball" to describe the 1890s, when so many Irish names dominated teams' rosters. But one can easily agree--and expand--that the period from the mid-1830s well into the first decade of the 20th century and assign the term to American sports in general. This book covers the Irish sportsman from the arrival of James "Deaf" Burke in 1836 through to Jack B. Kelly's rejection by Henley regatta and his subsequent gold medal at the 1920 Olympics. It avoids recounting the various victories and defeats of the Irish sportsman, seeking instead to deal with the complex interaction that he had with alcohol, gambling and Sunday leisure: pleasures that were banned in most of America at some time or other between 1836 and 1920. This book also covers the Irish sportsman's close relations with politicians, his role in labor relations, his violent lifestyle--and by contrast--his participation in bringing respectability to sport. It also deals with native Irish sports in America, the part played by the Irish in "Team USA's" initial international sporting ventures, and in the making and breaking of amateurism within sport.

In his day, perhaps no one in baseball was better known than Irish-born Timothy Paul "Ted" Sullivan. For 50 years, America's sportswriters sang his praises, genuflected to his genius and bought his blarney by the barrel. Damon Runyon dubbed him "The Celebrated Carpetbagger of Baseball." Cunning, fast-talking, witty and sober, Sullivan was the game's first player agent, a groundbreaking scout who pulled future Hall of Famers from the bushes, an author, a playwright and a baseball evangelist who promoted the game across five continents. He coined the term "fan" and was among the first to suggest the designated hitter--because pitchers were "a lot of whippoorwill swingers." But he was also a convert to the Jim Crow attitudes of his day--black ballplayers were unimaginable to him. Unearthing thousands of contemporaneous newspaper accounts, this first exhaustive biography of "Hustlin'" Ted Sullivan recounts the life and career of one of the greatest hucksters in the history of the game.

"Delahanty's career spanned the last decades of the nineteenth century during a time when the sons of post-famine Irish refugees dominated the sport and changed the playing style of America's national pastime. In this "Emerald Age" of baseball, Irish-American players comprised from 30 to 50 percent of all players, managers, and team captains. Baseball for Delahanty and other young Irishmen was a ticket out of poverty and into a life of fame and fortune. The allure and promise of celebrity and wealth, however, were disastrous for Delahanty. He found himself enmeshed in desperate contract dealings and a gambling addiction that drove him to alcohol abuse.

Recapturing the drama and color of this historic sporting event, Roger I. Abrams shows how the first world series (Boston Americans vs. Pittsburgh Pirates) provided a unique lens to view American life and culture at the dawn of the twentieth century. It is a fascinating story brimming with colorful, larger-than-life characters: legendary players Honus Wagner, Cy Young, Jimmy Collins, Fred Clarke, Big Bill Dineen, and Deacon Phillippe on the field; and Mike "Nuf Ced" McGreevey, "Honey Fitz" Fitzgerald, and the boisterous Boston Royal Rooters, cheering, chanting, and singing in the grandstands. This is also the story of how the post-season play gave disparate classes in society--Brahmins, industrialists, Irish politicians, Jewish immigrants--the rare opportunity to join in common support of their local teams and heroes.

LA TIMES BESTSELLER • From the award-winning screenwriter and director of cult classic Bull Durham, the extremely entertaining behind-the-scenes story of the making of the film, and an insightful primer on the art and business of moviemaking. "This book tells you how to make a movie—the whole nine innings of it—out of nothing but sheer will.” —Tony Gilroy, writer/director of Michael Clayton and The Bourne Legacy "The only church that truly feeds the soul, day in, day out, is the church of baseball."—Annie in Bull Durham Bull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why. From organizing a baseball camp for the actors and rewriting key scenes while on set, to dealing with a short production schedule and overcoming the challenge of filming the sport, Shelton brings to life the making of this beloved American movie. Shelton explains the rarely revealed ins and outs of moviemaking, from a film’s inception and financing, screenwriting, casting, the nuts and bolts of directing, the postproduction process, and even through its release. But this is also a book about baseball and its singular romance in the world of sports. Shelton spent six years in the minor leagues before making this film, and his experiences resonate throughout this book. Full of wry humor and insight, The Church of Baseball tells the remarkable story behind an iconic film.