"Born into the upper reaches of Philadelphia society, George H. McFadden (1907-1953) was expected to join the McFadden family cotton brokerage-or become a polo-playing playboy like his father. Instead, McFadden made his own path. Fascinated by the ancient world, he offered to fund the Penn Museum's excavations at Kourion, a Greco-Roman site in Cyprus. He joined the dig himself as a self-trained archaeologist, leading to some tension with the professional archaeologists. Over several decades, McFadden created a comfortable life there, replete with a gracious villa and yacht, as a respected figure in the local community. World War II turned Cyprus and nearby Alexandria into a central node for Allied intelligence work. Along with his archaeologist colleagues, McFadden enlisted in the US Navy and joined the ranks of the just-forming OSS to work alongside British spy networks. He volunteered his yacht for government service, ferrying assets across the Mediterranean. Even among the colorful personalities of that world, McFadden kept his sexual orientation private, with a care enforced by the ultra-conservative confines of his upbringing. He spent vacations away from his colleagues in the German Alps, working on his own translation of the Iliad, which had first inspired his love of the ancient world. A mysterious sailing accident in Cyprus brought McFadden's life to an untimely end at age 45 -with the future of the Kourion dig in doubt, and his exploits as a spy unknown. For the first time, The Inventive Life of George McFadden brings the fascinating details of his story to light"--

This book is an analysis of an Iranian philosopher’s engagement with a British philosopher. The author compares the ideas of these philosophers within the context of European and Iranian intellectual traditions. This is the first book of its kind, as no one has yet looked at Allama Jafari’s thought in relation to Sir Bertrand Russell’s. East and West will be a useful work for anyone who is interested in comparative philosophical and sociological studies.

When Charles Hill Morgan learned how to use specialized drafting tools in the 1840s, his professional-grade compass precisely centered measurements for foundations and steam engines. His mastery of these tools led to a future of vast new possibilities. The strength of his ideas and the success of his inventions took him on a path that led from Lancaster's Factory Village in central Massachusetts to the courts of Europe. In the span of 80 years, Charles would go from living hand to mouth in Shrewsbury, Massachusetts to taking tea at Windsor Castle with the Queen of England.

Being Mara Brock Akil: Representations of Black Womanhood on Television examines the body of work of Mara Brock Akil, the showrunner who produced Girlfriends, The Game, Being Mary Jane, and Love Is__. The contributions to this volume are theoretically anchored in Patricia Hill Collin’s Black Feminist Thought, with a focus on how Brock Akil’s shows intentionally address Black humanity and specifically provide context for Black women’s lived experiences and empathy for Black womanhood by featuring woman-centered characters with flaws, strength, and complexity. Shauntae Brown White and Kandace L. Harris have compiled a volume that analyzes themes that define Black womanhood and examines audience reception of and social media interaction with Brock Akil’s work.

Full story of the Falconio murder inquiry. On a cold July night in 2001 a panic-stricken woman dashed out of the desert scrub, bringing to a halt a huge outback roadtrain. The story that Joanne Lees told, of her abduction and boyfriend's apparent murder, has held the world's attention ever since. Award winning journalist, Richard Shears, covered the story from the first days right up until the verdict was handed down at the end of an eight week trial. After 40 years of covering wars, disasters and crimes for London's Daily Mail, Shears says the Falconio affair is one of the most curious he remembers.

Early in World War II, Henry Moore had to give up working on sculpture when his Hampstead studio was bombed. He began drawing and creating a monumental series of works showing the plight of people sheltering in the London underground. This text considers his visual documentation of the shelters.