Sarah Cummings has one goal in life--to break into Chicago's high society. Desperate to stop serving dinner and to start eating at society tables, Sarah alters cast-off gowns from the wealthy Banning women to create lustrous, flattering dresses of her own. On a whim at a chance meeting, she presents herself as Serena Cuthbert, weaving a fictitious past to go with her fictitious name. But as she gets closer to Simon Tewell, the director of St. Andrew's Orphanage, Sarah finds that she must choose between the life she has and the life she dreams of. Will she sacrifice love to continue her pretense? Or can Simon show her that sometimes you don't have to pretend for dreams to come true? Olivia Newport brings us back to Prairie Avenue to explore the place where class, social expectations, and romance come together. Readers will enjoy following the intrepid Sarah as she searches for true love in a world of illusions.

Correspondence to Sarah E. Cummings Bradley from Portland, Me., and later Boston, Mass. Letters are largely about social matters.

In a world where everyone is putting on a show, there is a love that is genuine. Sarah Cummings has one dream in life-to break into Chicago's high society. Desperate to stop serving dinner to members of the wealthy Banning family and to start dining at society tables, Sarah spends her meager free time altering cast-off gowns to create the perfect wardrobe for her perfect life. When opportunity knocks at a breathless chance meeting, she presents herself as Serena Cuthbert, weaving a fictitious seamlessly with her fictious name. But as she gets closer to her goal-and to Simon Tewell, director of St. Andrew's Orphanage-Sarah finds that she must choose between the life she has and the life she aspires to. Can Sarah piece together the perfect life from scraps? Or will it all come unraveled in the face of true love? Olivia Newport's novels twist through time to discover where faith and passions meet. She lives at the foot of Pikes Peak, where she enjoys lives in the Colorado sun with her husband and nearby grown children.

This book investigates the emergence, the dissemination and the reception of the notion of ‘state fragility’. It analyses the process of conceptualisation, examining how the ‘fragile states’ concept was framed by policy makers to describe reality in accordance with their priorities in the fields of development and security. Contributors investigate the instrumental use of the ‘state fragility’ label in the legitimisation of Western policy interventions in countries facing violence and profound poverty. They also emphasise the agency of actors ‘on the receiving end’, describing how the elites and governments in so-called ‘fragile states’ have incorporated and reinterpreted the concept to fit their own political agendas. A first set of articles examines the role played by the World Bank, the OECD, the European Union and the G7+ in the transnational diffusion of the concept, which is understood as a critical element in the new discourse on international aid and security. A second set of papers employs three case studies (Sudan, Indonesia and Uganda) to explore the processes of appropriation, reinterpretation and the strategic use of the ‘fragile state’ concept. This book was originally published as a special issue of Third World Quarterly.

From the National Book Award-winning author of Europe Central – a dazzling fictional account of the epic fighting retreat of the Nez Perce Indians In this fifth installment in his acclaimed Seven Dreams series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the epic fighting retreat of the Nez Perce Indians, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn the previous year, as they fled from northeast Oregon across Montana to the Canadian border. Vollmann’s main character is not the legendary Chief Joseph but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict, and written in an original style in which the printed page works as a stage with multiple layers of foreground and background, The Dying Grass is another mesmerizing achievement from one of the most ambitious writers of our time.

In this passionate romance set against the backdrop of the 1893 Chicago Exposition, a young socialite wrestles with family expectations and social boundaries.