How did one man's critique of capitalism guide the course of modern history? When he died in 1883, Karl Marx left behind an intellectual legacy of formidable proportions and revolutionary potential, yet one that exerted limited actual political, social, or economic influence. The full force of his ideas did not come into play for another generation, and only after they had been appropriated and applied by some of Marxism's earliest proponents. The history of Marxism, in other words, is the story of those who brought Marx's ideas into play, transforming a sweeping but fractious and occasionally abstruse view of historical and social forces into a coherent plan of action. Christina Morina's illuminating book focuses on the first generation of Marxists who turned the work and ideas of one social theorist, one among many, into one of the most powerful transnational political movements in modern history. The Invention Of Marxism is therefore a group portrait, featuring such figures as Rosa Luxemburg, Max Adler, Jean Jaurès, Eduard Bernstein, Karl Kautsky, and Vladimir Lenin -- German, French, Russian, Czech -- whose lives became dedicated to interpreting and applying Marxist thought. They were the vehicles by which his ideas were read, debated, and gradually adopted in socialist movements across Europe. Morina's fascinating book therefore reconstructs the beginnings of Marxism through the individual politicization of a group of intellectuals who made it their purpose in life to solve the 'social question', exploring the nexus between their intellectual constructs and social and political reality. The Invention of Marxism shows how what started as a theory of capitalism grew into a fully-fledged political philosophy and platform, one that shaped the century that followed Marx's death. In short, it reveals how an idea first conquered these individuals and then the world.

Lacan and Marx: The Invention of the Symptom provides an incisive commentary on Lacan’s reading of Marx, mapping the relations between these two vastly influential thinkers. Unlike previous books, Bruno provides a detailed history of Lacan’s reading of Marx and surveys his references to Marx in both his writings and seminars. Examining Lacan’s key argument that Marx "invented the symptom", Bruno shows how Lacan went on to criticize Marx and contrasts Marx’s concept of surplus-value with Lacan’s surplus-enjoyment. Exploring the division between Marxist and psychoanalytic perspectives on social and psychological need and Lacan’s formalisation of the capitalist discourse, the book compares the positions of Althusser, Deleuze and Guattari, and Žižek on the relations between Lacan, Marx and capitalism, using a wide range of cultural examples, from Stevenson’s Dr. Jekyll and Mr. Hyde to Brecht’s Joan Dark and Pierpont Mauler. Through these readings, Bruno also elaborates an extended commentary on Lacan’s central idea of the division of the subject. His focus is not only on showing how we can exit from capitalism but also, and just as importantly, on showing how we can make capitalism exit from us. This book will be of great interest to scholars and readers of Lacan and Marx from across the fields of psychoanalysis, philosophy and political economy, and will also appeal to Lacanian psychoanalysts in clinical practice.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of black people and black communities as agents of change and resistance. Black radicalism must be linked to the traditions of Africa and the unique experiences of blacks on western continents, Robinson argues, and any analyses of African American history need to acknowledge this. To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright.

Looks at the life of the father of Communism focusing primarily on the human side of the man rather than his works.

DIVRethinks the history of classical political economy by assessing the Marxian idea of “primitive accumulation,” the process by which a propertyless working class is created./div

Karl Marx was the first theorist of global capitalism and remains perhaps its most trenchant critic. This clear and innovative book, from one of the leading contemporary experts on Marx's thought, gives us a fresh overview of his ideas by framing them within concepts that remain topical and alive today, from class struggle and progress to democracy and exploitation. Taking Marx's work in his pamphleteering, journalism, speeches, correspondence and published books as central to a renewed understanding of the man and his politics, this book brings both his life experience and our contemporary political engagements vividly to life. It shows us the many ways that a nineteenth-century thinker has been made into the 'Marx' we know today, beginning with his own self-presentations before moving on to the successive different "Marxes" that were later constructed: an icon of communist revolution, a demonic figure in the Cold War, a 'humanist' philosopher, and a spectre haunting Occupy Wall Street. Carver's accessible and lively book unpacks the historical, intellectual and political difficulties that make Marx sometimes difficult to read and understand, while also highlighting the distinct areas where his challenging writings speak directly to the twenty-first-century world. It will be essential reading for students and scholars throughout the social sciences and anyone interested in the contemporary legacy of his revolutionary ideas.

I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.