A history and analysis of the development of domestic design in early modern Britain and America. How did our modern ideas of physical well-being originate? As John Crowley demonstrates in The Invention of Comfort, changes in sensible technology owed a great deal to fashion-conscious elites discovering discomfort in surroundings they earlier had felt to be satisfactory. Written in an engaging style that will appeal to historians and material culture specialists as well as to general readers, this pathbreaking work brings together such disparate topics of analysis as climate, fire, food, clothing, the senses, and anxiety—especially about the night. “Riveting. . . . A solid contribution to the literature on the cultural impact of gentility, refinement, and the “baubles of Britain” in England and its colonial possessions.” —Journal of American History “Crowley provides a masterly search and survey that no historian of material culture should miss, and every curious reader should consider.” —Eugen Weber, Phi Beta Kappa Key Reporter “A comprehensive and tight study . . . a valuable contribution to the field, [and] one that is enjoyable to read.” —Emma Hart, English Historical Review “The sheer range of evidence, the interweaving of themes, and the overall strength of the argument mean [this] is an ideal book for specialists and students alike.” —Helen Clifford, Journal of Design History “The Invention of Comfort is an important and thought-provoking book that challenges our understanding of why people live that way they do.” —Marie Morgan, New England Quarterly

Definitions of comfort changed over time, the author shows, and men and women sometimes interpreted comfort differently. He begins with a description of the material culture of heating and illumination in British and Anglo-American domestic environments during the postmedieval centuries, when comfort was primarily a moral term implying consolation and support. (Midwest).

Today, it is difficult to imagine a living room without a sofa. When the first sofas on record were delivered in seventeenth-century France, the result was a radical reinvention of interior space. Symptomatic of a new age of casualness and comfort, the sofa ushered in an era known as the golden age of conversation; as the first piece of furniture designed for two, it was also considered an invitation to seduction. With the sofa came many other changes in interior space we now take for granted: private bedrooms, bathrooms, and the original living rooms. None of this could have happened without a colorful cast of visionaries-legendary architects, the first interior designers, and the women who shaped the tastes of two successive kings of France: Louis XIV's mistress Madame de Maintenon and Louis XV's mistress Madame de Pompadour. Their revolutionary ideas would have a direct influence on realms outside the home, from clothing to literature and gender relations, changing the way people lived and related to one another for the foreseeable future.

'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.

The year 2002 marked the 100th anniversary of the first installation of air-conditioning. During the past century, it has become a staple of American life; 83% of US homes are now air-conditioned. In this engaging social history, Marsha Ackermann explores how the idea of “cooling” became firmly embedded in the social perceptions and expectations of Americans, transforming our definition of comfort and the way we live, work, and play.

Obsolete old words from seventeenth-century English villages reflect the realities of working-class life, exhausting labor, dirt, bizarre foods, magic, horses, outrageous sexism, feudal duties. New words, first appearing in print 1650–1800, reflect a middle-class culture very different from an earlier courtly culture, interested in money, coffee-houses, and self-fulfillment. The book contains chapters on pre-industrial and middle-class culture, the scientific revolution, and semantic change. They give strong evidence that new words and the new senses of old words played a key role in the British Enlightenment, its links with quantification and natural science, its tendencies towards reorganization and democracy, its redefinitions and revitalizations of women’s roles, social stereotypes, the public sphere, and the very concepts of individualism, sociability, and civilization itself.

A historian evaluates the period that marked a convergence of informality and comfort, transforming the worlds of architecture and interior decoration, in an account that identifies colorful visionaries who were responsible for such modern objects as sofas, private bedrooms, and bathrooms.