The dramatic, larger-than-life true story behind the founding of Oculus and its quest for virtual reality, by the bestselling author of Console Wars. Drawing on over a hundred interviews with the key players driving this revolution, The History of the Future weaves together a rich, cinematic narrative that captures the breakthroughs, breakdowns and human drama of trying to change the world. The result is a super accessible and supremely entertaining look at the birth of a game-changing new industry. From iconic books like Neuromancer to blockbuster films like The Matrix, virtual reality has long been hailed as the ultimate technology. But outside of a few research labs and military training facilities, this tantalizing vision of the future was nothing but science fiction. Until 2012, when Oculus founder Palmer Luckey—then just a rebellious teenage dreamer living alone in a camper trailer—invents a device that has the potential to change everything. With the help of a videogame legend, a serial entrepreneur and many other colorful characters, Luckey’s scrappy startup kickstarts a revolution and sets out to bring VR to the masses. As with most underdog stories, things don’t quite go according to plan. But what happens next turns out to be the ultimate entrepreneurial journey: a tale of battles won and lost, lessons learned and neverending twists and turns—including an unlikely multi-billion-dollar acquisition by Facebook’s Mark Zuckerberg, which shakes up the landscape in Silicon Valley and gives Oculus the chance to forever change our reality. Drawing on over a hundred interviews with the key players driving this revolution, The History of the Future weaves together a rich, cinematic narrative that captures the breakthroughs, breakdowns and human drama of trying to change the world. The result is a super accessible and supremely entertaining look at the birth of a game-changing new industry.

A sprawling epic about imagination, creation, and reality in the vein of Infinite Jest and Gravity's Rainbow.

With Roz and Eva everything becomes a contest—who can snag the best role in the school play, have the cutest boyfriend, pull off the craziest prank. Still, they're as close as sisters can be. Until Eva deletes Roz from her life like so much junk e-mail for no reason that Roz understands. Now Eva hangs out with the annoyingly petite cheerleaders, and Roz fantasizes about slipping bovine growth hormone into their Gatorade. Roz has a suspicion about Eva. In turn, Eva taunts Roz with a dare, which leads to an act of total insanity. Drama geeks clamor for attention, Shakespearean insults fly, and Roz steals the show in Lauren Bjorkman's hilarious debut novel.

The author addresses key scientific questions previously explained by rich mythologies, from the evolution of the first humans and the life cycle of stars to the principles of a rainbow and the origins of the universe.

A leading philosopher takes a mind-bending journey through virtual worlds, illuminating the nature of reality and our place within it. Virtual reality is genuine reality; that’s the central thesis of Reality+. In a highly original work of “technophilosophy,” David J. Chalmers gives a compelling analysis of our technological future. He argues that virtual worlds are not second-class worlds, and that we can live a meaningful life in virtual reality. We may even be in a virtual world already. Along the way, Chalmers conducts a grand tour of big ideas in philosophy and science. He uses virtual reality technology to offer a new perspective on long-established philosophical questions. How do we know that there’s an external world? Is there a god? What is the nature of reality? What’s the relation between mind and body? How can we lead a good life? All of these questions are illuminated or transformed by Chalmers’ mind-bending analysis. Studded with illustrations that bring philosophical issues to life, Reality+ is a major statement that will shape discussion of philosophy, science, and technology for years to come.

Constructivism has been traded as a new paradigm by its advocates, and criticised by its opponents as legitimating deceit and lies, as justifying a trendy post-modern "Anything goes". In this book, Bernhard Poerksen draws up a new rationale for constructivist thinking and charts out directions for the imaginative examination of personal certainties and the certainties of others, of ideologies great and small. The focus of the debate is on the author's thesis that our understanding of journalism and, in particular, the education and training of journalists, would profit substantially from constructivist insights. These insights instigate, the claim is, an original kind of scepticism; they provide the underpinnings of a modern type of didactics oriented by the autonomy of learners; and they supply the sustaining arguments for a radical ethic of responsibility in journalism.

In the "years of stagnation" before glasnost changed the cultural map of the Soviet Union, Iurii Trifonov (1926-1981) defied the rules of censorship. In Invented Truth, Josphine Woll examines how, within the repressive artistic and political constraints of the Soviet publishing world, Trifonov managed not only to write on controversial tropics such as Soviet history but even to achieve and maintain popular status in doing so. Woll analyzes the aesthetic strategies Trifonov deployed to transmit his ideas and opinions to Soviet readers and elucidates the major themes of his late fiction: the moral climate that permitted the triumph of Stalinist immorality, the relationship between the Bolshevik revolutionary past and present-day Soviet amorality, and, finally, art's prismatic interpretation of reality. Drawing on both Western and Soviet scholarship, as well as interviews with many Soviet and emigre writers, literary critics, and personal acquaintances of Trifonov, Woll provides detailed background on the Soviet literary milieu and the rules governing literary production.