In 101 humorous flash satires, Larry-bob Roberts dishes up thought-provoking ideas about contemporary politics and culture from a queer perspective.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence of gay artists. Sherry places conspiracy theories about the "homintern" (homosexual international) taking control and debasing American culture within the paranoia of the time that included anticommunism, anti-Semitism, and racism. Gay artists, he argues, helped shape a lyrical, often nationalist version of American modernism that served the nation's ambitions to create a cultural empire and win the Cold War. Their success made them valuable to the country's cultural empire but also exposed them to rising antigay sentiment voiced even at the highest levels of power (for example, by President Richard Nixon). Only late in the twentieth century, Sherry concludes, did suspicion slowly give way to an uneasy accommodation of gay artists' place in American life.

In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

The real story behind “ex-gay” ministries and reparative therapy! Nationally known activist Wayne Besen spent four years examining the phenomenon of “ex-gay” ministries and reparative therapies—interviewing leaders, attending conferences, and visiting ministries undercover as he accumulated hundreds of hours of research. The result is Anything but Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth, a groundbreaking exposé of the controversial movement that's revered by independent religious groups and reviled by gay and lesbian organizations. The book presents a historical perspective on the dispute, examining “ex-gay” groups such as Love In Action, Exodus International, Homosexuals Anonymous, and profiling a cast of characters that includes Pat Robertson, the Rev. Jerry Falwell, “ex-gay” poster boy John Paulk, National Association of Research and Therapy of Homosexuality activist Richard Cohen, and psychiatrist Dr. Robert Spitzer. An in-depth, well-researched, and historically significant account, Anything but Straight is full of startling facts and alarming surprises. The original content and novel material in the book includes: a first-ever comprehensive history of the “ex-gay” ministries and “reparative therapy” the inside story of the night the author photographed “ex-gay” poster boy John Paulk inside a gay bar the author's discovery that Anne Paulk lied about being a lesbian and has admitted to having a strong attraction to men BEFORE she became “ex-gay” previously undisclosed bizarre techniques used by the “ex-gay” ministries and “reparative therapists” the author's exclusive in-depth interviews with leading “ex-gay” leaders—they disclose their deepest secrets, hidden desires, and true motivations an extraordinary new study that shows that most “ex-gay” leaders have suffered from substance abuse or severe emotional problems—while many “ex-gay” leaders claim they were “unhappy being gay,” this report helps prove that their dissatisfactions came not from their homosexuality, but from poor life choices and irresponsible behavior new revelations that one of the nation's leading “reparative therapists” hailed from a secretive cult that was scandalized for practicing nude therapy From the author: Through my extensive experience, I have learned that the extraordinary claims made by the “ex-gay” groups are without merit and the efficacy of their programs is dubious at best and harmful at worst . . . One frequent question I get is, “Why can't gay activists simply leave 'ex-gay' groups alone and let them go about their business?” This is exactly what happened for nearly three decades while “ex-gay” groups labored in near anonymity. But all this recently changed when the “ex-gay” groups intricately aligned themselves with the anti-gay political agenda of the Religious Right. With “ex-gays” added to their arsenal, the Right could disingenuously claim to love gay people and offer them “hope for change,” while simultaneously fighting for punitive legislation. Their insidious message: Since gays and lesbians can change, there is no need for laws that protect them against arbitrary prejudice. Anything but Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth is an essential read for activists on both sides of the “ex-gay” fence, family members of gays and lesbians, Gay, Bisexual, Lesbian, and Transgender church members, psychiatric and social science professionals, and anyone who has dealt with “coming out” issues. An appendix of resources and a helpful bibliography make it easy to find additional information on this fascinating topic.

In 1995, we published the 1st Edition of The Pink Swastika to counter historical revisionism by the homosexual political movement which had been attempting since the 1970s to fabricate a "Gay Holocaust" equivalent to that suffered by the Jews in Nazi Germany. Fifteen years have passed, but our research into this topic has never stopped.

A landmark account of gay and lesbian creative networks and the seismic changes they brought to twentieth-century culture In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called "the Homintern" (an echo of Lenin's "Comintern") by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

During the past four decades, the international lesbian, gay, bisexual, and transgender rights movement has made significant advances, but millions of LGBT people continue to live in fear in nations where homosexuality remains illegal. The International LGBT Rights Movement offers a comprehensive account of this global force, from its origins in the mid-nineteenth century to its crucial place in world affairs today. Belmonte examines the movement's goals, the disputes about its mission, and its rise to international importance. The International LGBT Rights Movement provides a thorough introduction to the movement's history, highlighting key figures, controversies, and organizations. With a global scope that considers both state and non-state actors, the book explores transnational movements to challenge homophobia, while also assessing the successes and failures of these efforts along the way.