“With The Insides, Jeremy P. Bushnell doesn’t so much mash genres together as slice them apart to find the filets. It’s a literary urban fantasy with sharp things to say about the way we live now, darkened by a touch of Scandinavian thriller: rich and urgent and weird, a novel that defies categorization but demands to be consumed.” —Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore “The Insides begins with all the freewheeling magic and humor of The Weirdness, then ups the ante with danger, suspense, and rich emotional resonance. If you love fierce, witchy leading ladies, facing down evil, and traveling to strange realms that will explain your life before they haunt you forever, this is the book for you.” —Alyssa Harad, author of Coming to My Senses Ollie Krueger’s days as a punk kid practicing street magic are are mostly behind her. Now she’s a butcher at Carnage, a high-end restaurant offering deconstructed takes on meat. On busy nights Ollie and her partner, Guychardson, race to see who can produce the most finished cuts. Ollie’s the better butcher, but somehow Guychardson always wins ... and Ollie thinks maybe it’s because the mysterious knife he uses is magic. Before she knows it, Ollie’s interest in the knife has thrown her square in the path of a dangerous ex-marine called “Pig” and his hired psychic, Maja, who are on the hunt for the knife too—who want it so badly, in fact, that they might kill for it. Now, magic is back in Ollie’s life and she’s being chased through New York City, with the fabric of space-time tattering around her and weird inter-dimensional worms squirming their way into her kitchen. And before it's all over she’s going to need to face up to the Possible Consequences of some bad decisions, to look at the uncomfortable truths that she stuffed away long ago, deep down ... inside . . .

Literary fiction meets the otherworldly in this “wonderfully weird and entertaining” urban fantasy for Millennial fans of Victor LaValle (Esquire). “An utterly charming, silly, and heartily entertaining coming-of-age story about a man-boy who learns to believe in himself by reckoning with evil.” —Boston Globe What do you do when you wake up hung over and late for work only to find a stranger on your couch? And what if that stranger turns out to be an Adversarial Manifestation—like Satan, say—who has brewed you a fresh cup of fair-trade coffee? And what if he offers you your life’s goal of making the bestseller list if only you find his missing Lucky Cat and, you know, sign over your soul? If you’re Billy Ridgeway, you take the coffee.

At a glance, ancient Indian sculpture is quite attention-grabbing due to its structural form and somewhat devotional approach. It makes us curious and raises a lot of questions about it. There are a lot of books regarding the sculptures of India; however, there are something mysteries behind those ancient sculptures that need to unfold. This book's discussion point is related to some of the hidden rules and grammatical aspects of those ancient sculptures, focusing on Hindu doctrine and spiritualism. To understand the Indian sculptures widely, it is necessary to have information on those secret rules, grammar, spiritual theology, and Indian history. The writer of this book is an acclaimed Indian artist and award-winning blogger who is also passionate about traveling and photography. His experience in Indian art and culture grew with his travel across India. In this book, he also shared his direct experience of various aspects of Indian sculpture. It's a complete guide to making sense of the pauls of Indian sculpture through an artist's perspective.

Essentialism is the idea that certain categories, such as "dog," "man," or "intelligence," have an underlying reality or true nature that gives objects their identity. Where does this idea come from? In this book, Susan Gelman argues that essentialism is an early cognitive bias. Young children's concepts reflect a deep commitment to essentialism, and this commitment leads children to look beyond the obvious in many converging ways: when learning words, generalizing knowledge to new category members, reasoning about the insides of things, contemplating the role of nature versus nurture, and constructing causal explanations. Gelman argues against the standard view of children as concrete or focused on the obvious, instead claiming that children have an early, powerful tendency to search for hidden, non-obvious features of things. She also attacks claims that children build up their knowledge of the world based on simple, associative learning strategies, arguing that children's concepts are embedded in rich folk theories. Parents don't explicitly teach children to essentialize; instead, during the preschool years, children spontaneously construct concepts and beliefs that reflect an essentialist bias. Essentialist accounts have been offered, in one form or another, for thousands of years, extending back at least to Aristotle and Plato. Yet this book is the first to address the issues surrounding essentialism from a psychological perspective. Gelman synthesizes over 15 years of empirical research on essentialism into a unified framework and explores the broader lessons that the research imparts concerning, among other things, human concepts, children's thinking, and the ways in which language influences thought. This volume will appeal to developmental, cognitive, and social psychologists, as well as to scholars in cognitive science and philosophy.