'Gripping and moving. A literary triumph' Nicola Sturgeon 'A humane and searching story' Ian Rankin 'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do. As the news spreads around Clio's collaborators and comrades, lovers and enemies, the story of her glamorous, chaotic life spreads with it - from the Scottish Highlands to the Genoa G8 protests, from an anarchist squat in Brixton to Top of the Pops. Sifting through half a century of memories and unanswered questions, everyone who thought they know her is forced to ask: who was Clio Campbell?

The Scottish Reformation is often presumed to have had little economic impact. Traditionally, scholars maintained that Scotland’s late medieval church gradually secularised its estates, and that the religious changes of 1560 barely disrupted an ongoing trend. In Riches and Reform Bess Rhodes challenges this assumption with a study of church finance in Scotland’s religious capital of St Andrews, a place once regarded as the ‘cheif and mother citie of the Realme’. Drawing on largely unpublished charters, rentals, and account books, Riches and Reform argues that in St Andrews the Reformation triggered a rapid, large-scale, and ultimately ruinous redistribution of ecclesiastical wealth. Communal assets built up over generations were suddenly dispersed through a combination of official policies, individual opportunism, and a crisis in local administration, leading the post-Reformation churches and city of St Andrews into ‘poverte and decay’.

Inspector Appleby's aunt is most distressed when her horse, Daffodil - a somewhat half-witted animal with exceptional numerical skills - goes missing from her stable in Harrogate. Meanwhile, Hudspith is hot on the trail of Lucy Rideout, an enigmatic young girl has been whisked away to an unknown isle by a mysterious gentleman. And when a house in Bloomsbury, supposedly haunted, also goes missing, the baffled policemen search for a connection. As Appleby and Hudspith trace Daffodil and Lucy, the fragments begin to come together and an extravagant project is uncovered, leading them to South American jungle.

“A major study of the art of the Picts.” —Library Journal Drawing on their extensive research and expertise, renowned historians George and Isabel Henderson illuminate one of the great enigmas of medieval art: the unique metalwork and sculpture of the Picts. Tribal Celtic-speaking warriors and farmers in what is now Scotland, the Picts were one of the major peoples of early medieval Britain, but their culture and their beautiful art have puzzled historians for centuries. George and Isabel Henderson’s acute analysis reveals an art form that both interacted with the currents of “Insular” art and was produced by a sophisticated society capable of sustaining large-scale art programs. The illustrations include specially commissioned drawings that help one understand the mysterious symbols found in the art.

Traditional accounts of the Scottish Enlightenment present the half-century or so before 1750 as, at best, a not-yet fully realised precursor to the era of Hume and Smith, at worst, a period of superstition and religious bigotry. This is the first book-length study to systematically challenge that notion. Instead, it argues that the era between approximately 1680 and 1745 was a 'First' Scottish Enlightenment, part of the continent-wide phenomenon of early Enlightenment and led by the Jacobites, Episcopalians, and Catholics of north-eastern Scotland. It makes this argument through an intensive study of the dramatic changes in historiographical practice which took place in Scotland during this era, showing how the documentary scholarship of Jean Mabillon and the Maurists was eagerly received and rapidly developed in Scottish historical circles, resulting in the wholesale demolition of the older, Humanist myths of Scottish origins and their replacement with the foundations of our modern understanding of early Scottish history. This volume accordingly challenges many of the truisms surrounding seventeenth- and eighteenth-century Scottish history, pushing back against notions of pre-Enlightenment Scotland as backward, insular, and intellectually impoverished and mapping a richly polymathic, erudite, and transnational web of scholars, readers, and polemicists. It highlights the enduring cultural links with France and argues for the central importance of Scotland's two principal religious minorities--Episcopalians and Catholics--in the growth of Enlightenment thinking. As such, it makes a major intervention in the intellectual and cultural histories of Scotland, early modern Europe, and the Enlightenment itself.

This three-volume series provides a critical examination of the history of theology in Scotland from the early middle ages to the close of the twentieth century. Volume I covers the period from the appearance of Christianity around the time of Columba to the era of Reformed Orthodoxy in the seventeenth century.